A Quote by Norah Jones

I like songs with a lot of heart and feeling and subtlety. — © Norah Jones
I like songs with a lot of heart and feeling and subtlety.
There's so much more subtlety to this new recording. There's a subtlety in the playing. There's also a subtlety in the way I approached the singing. The band was able to really capture the feeling of the songs and not really trade anything that we had sort of arranged for the live presentation, but the songs just aren't as loud.
A lot of my songs are personal and about me being 16 and having guys break my heart and feeling like it's the end of the world.
A distinction has been made between acuteness and subtlety of understanding. This might be illustrated by saying that acuteness consists in taking up the points or solid atoms, subtlety in feeling the air of truth.
I love deeply, and when it comes to singing love songs and something that I have no problem doing, I put all of my heart and soul into these love songs. I know my fans out there are listening, taking these songs to heart. Like I say, they're relating these songs to their lives, too, and their relationships.
Just having the pain of being alive without anything else, whether it's good or bad. There's a lot of serious songs on the record, you know. That song is just about feeling like a fish out of water, feeling like you don't belong on the planet sometimes.
If we do not appreciate the sensitivity and subtlety of the human heart, how can we appreciate the sensitivity and subtlety of the natural world?
I would say it's always been in me to want to have victorious songs. I sort of want my songs to have a feeling of victory, but through a lot of pain. Like, you're 75 percent to the top of the mountain and sometimes you fall back to the bottom, but hopefully by the end of the record you'll feel like there's no mountain at all.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
Part of my aspiration as a film actor is to bring subtlety to everything I do - honesty but subtlety.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding.
I can say that on the record 'Transit of Venus,' there's maybe one or two songs that actually do come from my heart, but a lot of songs have been written just for radio and for fans, you know, to relate to.
I know what it's like to have a broken heart. I know what it's like to feel pain: When my songs don't become hits, it breaks my heart. There are a million ways to break a heart. I can relate.
I had to get over [him]. For months now, a stone had been sitting on my heart. I'd shed a lot of tears over [him], lost a lot of sleep, eaten a lot of cake batter. Somehow, I had to move on. [Life] would be hell if I didn't shake loose from the grip he had on my heart. I most definitely didn't want to keep feeling this way, alone in a love affair meant for two. Even if he'd felt like The One. Even if I'd always thought we'd end up together. Even if he still had a choke chain on my heart.
What I am doing is making songs that I like that I think sounds like other songs that I like. I'm really trying my best to emulate bands that I like a lot. Which I think is what a lot of bands are doing, whether they're saying it or not.
The best songs come unasked for. You don't have to think about them . . . Summer is good for songs. When it's real warm, if you have a sense of freedom, not a lot on your mind, and a feeling there's plenty of time, it just seems to be a good climate for music.
I think a lot of people who read fiction are interested in subtlety. But they wouldn't like my stuff. It's a bit too violent for many tastes.
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