A Quote by Norah Jones

There's a lot of personal stuff that can go into songwriting but there's also a lot of dramatization and fictionalization. You have to do that to make a good song. — © Norah Jones
There's a lot of personal stuff that can go into songwriting but there's also a lot of dramatization and fictionalization. You have to do that to make a good song.
With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.
David Stern is the mastermind behind a lot of stuff, he controls a lot of stuff, he dictates a lot of stuff so he's going to make himself look good.
I love to write songs, but they don't come easy to me - I spend a lot of time writing really dumb stuff that I have to look at the next day and think, 'God, what was I thinking?' That's my process, is just to go through a lot of dumb stuff and hope that, after a lot of hard work, I'll find a good idea.
My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
I talked to people that I'd done theater with, older actors and stuff. There's a lot of people who go into the business, and they must think they're good, or they wouldn't be in it. Why do you think that you're good enough to go into the business and make money at it? So I really wanted to ask myself that question a lot. Because it was an important kind of thing that I was going to do. I really wanted to do it, I loved it, and I thought that I was good enough that I could make money at it. And that's really what it came down to.
Before the fight I don't like to talk a lot of crap about my opponents, it's nothing personal, when it comes to interviews or anything like that. But once I get in there, I make it personal. This is my livelihood, my life is either going to go up or go down depending on what happens right here, so it's really personal. I make that guy my enemy.
Every match should have a story in it and I see a lot of that lacking. I see a lot of guys doing a lot of good stuff, and I call it stuff, filling in the blanks in their match, but the stuff doesn't tie in.
I do a lot of stuff for free anyway. Like a lot of people who you see who don't need money. Mick Jagger - he needs money? He just likes to go sing Satisfaction every night. If I wrote that song I probably would do it too.
I still tell a lot of jokes and do a lot of funny comics, but the stuff I like best is the personal stuff. I will still occasionally talk about my job and retail, but it evolved.
There's a lot of good fans out there, but there's also a lot of bad - I don't want to say bad people, but a lot of people who just want to try to get on your nerves and stuff like that, man.
I played a couple of ideas and then had this unusual texture underneath which was like this little granulated kind of pipe organ almost like a scratchy record which he started [inaudible] brilliantly. "Oh I love that song." And when things go fine, it's good. So he started loving that song and that song was used quite a lot in the movie which is very granulated stuff on the guitar.
A lot of fans have been requesting that in-your-face song, a sense of feeling empowered. And 'Good Woman' is that: a relatable song celebrating the good woman. I'm also really proud of the third verse, which I wrote.
I learned so much stuff at Hoffenheim and made a lot of friends. I also made good connections with the managers. They taught me a lot that I can take on in my career.
To me, songwriting is the backbone of Nashville. Looks can go, fads can go, but a good song lasts forever.
I like the songwriting. I don't ever listen and then go back and change stuff. For me when I wrote the song, it's always really fun and exciting.
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