A Quote by Norah Jones
I just want to keep making music, recording and trying different things. I don't want to do the same thing all the time.
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Obviously I want my music on the radio and I want my record to do well, but I also have a totally different career, so a lot of people who are in music are just in music and can dedicate all their time to that and I can't do that, so I really want to have both things and I'm just trying to figure out how.
I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.
You have to have the kind of personality where you're resilient and you can get up and keep moving and learn what there is. What I tell my employees is, 'I want you to make mistakes. If you're not making mistakes, you're not trying hard enough. But, when we make a mistake, let's all study it. Let's all learn from it. After that, we want to make different mistakes. We don't want to keep making the same mistakes.'
I tend to think about so many different things on a recording. I'll be trying to tune into what the drummer's doing, trying to keep everyone playing the groove and other things like making sure the piano's in a nice pocket.
I just like so many different kinds of music that I like experimenting. I don't want to keep making the same record over and over and over. I'm an 'evolve or die' kind of a musician. I think it's cool to try new things.
I just want to keep working, really. I just want to keep acting. Playing one part for a very long time builds up in you a desire to play as many different things as you can.
To me living and music are all the same thing. And I keep finding out more about music as I learn more about myself, my environment, about all kinds of different things in life. I play what I live. Therefore, just as I can't predict what kinds of experiences I'm going to have, I can't predict the directions in which my music will go. I just want to write and play my instrument as I feel.
I don't believe in having to show anybody anything. I just do my work. You know, making a living as an actor is such a rarity on earth. It's like making a living as a painter. So I look at different opportunities in the same way as Jack Nicholson, who said once, "Keep popping up in different holes. That's what you want to do: Just keep popping up in different holes." That made a lot of sense to me.
If you're in music, you're in music, and if you're in music you just want to keep making records and playing. That's what it's about, isn't it? At least, that's what I always thought it was about, anyway. I don't think I could bear years and years off. Perhaps in me older, older age, maybe I will, for physical reasons. But to me you've always got to keep proving yourself. I never want to just sit on me laurels. You have to keep forging, to prove yourself to yourself. I always think, every time I start a record, this could be the best thing I've ever done.
I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.
We live in this society where you must constantly be reinventing yourself. The big question is what are you doing next. The only thing they want is composed of these three elements: They want you to do it the exact same way because they want more of it; but they want it to be totally different; and they want it to be better. That's all you have to do. You just have to do something that's exactly the same, totally different, and better.
The same way you can see me sit at a table in a movie and be six different people, the mother and the uncle and all these different things, when I'm in the studio, I can do that, too. I'm not trying to be a recording artist and have a certain type of music for the radio.
At every concert I leave a lot to the moment. I must have the unexpected, the unforeseen. I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew. It's like making love. The act is always the same, but each time it's different.
I just want to keep playing music and keep recording. I feel like my best days are ahead.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world. You're just trying to make a love letter, a gift.
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