A Quote by Norah Jones

Sometimes when you're trying to do a record too close to home, you can get really distracted. — © Norah Jones
Sometimes when you're trying to do a record too close to home, you can get really distracted.
I'm in the middle of an existential crisis in how I approach comedy about these big issues. I sometimes find, when I get drawn on the subject of race, it's too close to home for me and I can't articulate what I'm trying to get across.
I personally like to talk to people when I'm not doing a scene, still acting as if I'm in Gotham when I'm on set because I don't really like to break character, since I sometimes get distracted. I may get distracted when I'm talking to people and having fun; then I have to check myself.
I get up, get coffee, and go into my home office. I check email and Twitter before I start work, but I have to try not to get too distracted.
I'm trying to figure out how to record at home because I have a tiny house and a seven-year-old and my wife also works at home. So I can't work in the house because she's trying to write, so I pitched a tent in the backyard. I'm literally trying to record in the tent.
There's a real danger when people get distracted by peripheral issues. They get distracted by democracy building. They get distracted about military conflicts. We need to focus on defeating jihadism.
People say sometimes that I'm distracted. I'm not distracted. I'm being smart. I'm capitalizing while the iron is hot. That's why I'm trying to do movies. I do the podcast. I do a radio show. I work on FOX. I have a gym; I have a lot of things going on. That's because when I'm done, I want to be set up.
You really can't go home again. Sometimes, that's a good thing. Sometimes, when you try, you find out that home isn't really there anymore... but that it wasn't only in your head before. Home actually existed. Home wasn't just a dream. Sometimes, that's the best thing of all.
When I record an album I'm trying to get as close as possible to that perfect moment.
I make it a habit of never trying to judge what an audience might think, only because all points of view are too close, because we're doing it every day, I think that the actor's point of view is sometimes too close to what the material actually is.
At the end of the day, when it comes down to it, all we really want is to be close to somebody. So this thing where we all keep our distance and pretend not to care about each other, it's usually a load of bull. So we pick and choose who we want to remain close to, and once we've chosen those people, we tend to stick close by. No matter how much we hurt them. The people that are still with you at the end of the day, those are the ones worth keeping. And sure, sometimes close can be too close. But sometimes, that invasion of personal space, it can be exactly what you need.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
Sometimes we don't even realize what we really care about, because we get so distracted by the symbols.
I think 12 songs is too much to listen to all at once. When I buy a record, I get to the fifth song, and then I don't get to really hear the rest of the record.
I focus best and am most productive when I’m working in a friend’s empty apartment. It’s hard for me to work at home. Too easy to procrastinate online, too easy to be distracted by the state of perpetual domestic chaos that rules my home.
I've never had WiFi at home. I'm too easily distracted, and YouTube is too tempting.
At home, people are more likely to be distracted than in a theatrical environment. They're checking their phones, pausing to get a snack, or sometimes jumping from show to show.
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