A Quote by Norbert Leo Butz
I was in the original cast of 'Wicked', and that got a bad review in 'The New York Times,' and it's the most successful thing that's ever been put onstage.
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I was in the original cast of Wicked, and that got a bad review in The New York Times, and it’s the most successful thing that’s ever been put onstage.
When Paul Beatty's 'The Sellout' was first published in America in 2015, it was a small release. It got a rave review in the daily 'New York Times' and one in the weekly 'New York Times Book Review,' too, for good measure. But by and large, it was not a conversation-generating book.
Since I got a really bad review when I was, like, 28 in 'The New York Times,' I don't read reviews anymore.
Some Sundays, I read it quickly - other Sundays, I savor it. I generally spend most of my time in 'The New York Times Book Review,' 'Sunday Business,' 'Sunday Review,' and 'The New York Times Magazine.' I turn all the other pages, only stopping when I find a headline that interests me.
Just because life is hard, and always ends in a bad way, doesn't mean that all stories have to, even if that's what they tell us in school and in the New York Times Review. In fact, it's a good thing that stories are as different as we are, one from another.
I've seen the most remarkable thing. It's in the New York Public Library. They've got the original typescript of 'The Importance of Being Earnest' - all four acts of it.
I have one rave 'New York Times' review framed next to a flop 'Los Angeles Times' review. And it's for the same show. These people watched the same show. That's what happens. They love it, they hate it.
I have one rave New York Times review framed next to a flop Los Angeles Times review. And it's for the same show. These people watched the same show. That's what happens. They love it, they hate it.
The French are pretty thin-skinned. The few times I mentioned a French writer in 'City Boy,' the relatives would ring up in high dudgeon. I once wrote a mocking review of Marguerite Duras in the 'New York Review of Books,' and good friends of mine in France got very angry.
One thing I noticed over time is that if I got a bad review, usually the bad part of it was at the very end. I could tell that nobody read the whole review because they would just say, "It was great to see the review!" In a way, my brain shuts down at the end of an article. It doesn't really want to go to the end.
Recently it's become much to my surprise, something that does happen. For example, I used to get almost all of my stories, and it's probably still true, from newspapers. Primarily from The New York Times. No one ever really thinks of The New York Times as a tabloid newspaper and it isn't a tabloid newspaper. But there is a tabloid newspaper within The New York Times very, very often.
The New York Times is the greatest media company around, arguably, and the people at the New York Times know a lot more about making a giant successful media company than I do.
James L.Brooks is just a very original person. So that was definitely the luckiest, most important thing that happened to me [meeting him]. Then I guess also meeting Ben Stiller. He cast me in the only thing I think I ever auditioned for and got: Cable Guy [1996]. And that led to us becoming friends.
As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.
The world is telling you through The New York Times and The New York Review of Books "You must shut up. You must never appear again. Because you are not relevant to us." So you have to fight their attempt to destroy you, fight to continue feeling.
There is a point where litigious becomes frivolous. And when you file frivolous lawsuits you can be hit by sanctions. I don't see the basis for suing "The New York Times." Ironically, it was "The New York Times" that was the plaintiff in "The New York Times" versus Sullivan.
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