A Quote by Norm Crosby

I'm a great audience myself. I tried to keep in the background while others were on, but sometimes I'd just get hysterical. — © Norm Crosby
I'm a great audience myself. I tried to keep in the background while others were on, but sometimes I'd just get hysterical.
I tried to reach the combatants with my music. I tried to turn my anger into something positive. Myself, and others like me, just tried to keep rock and roll alive.
People were hysterical about Communism the way people today are hysterical about flag burning. I'm really against these people who try to show that they're great patriots, because they're not thinking, they're just being hysterical.
I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.
A Winner's Blueprint for Achievement BELIEVE while others are doubting. PLAN while others are playing. STUDY while others are sleeping. DECIDE while others are delaying. PREPARE while others are daydreaming. BEGIN while others are procrastinating. WORK while others are wishing. SAVE while others are wasting. LISTEN while others are talking. SMILE while others are frowning. COMMEND while others are criticizing. PERSIST while others are quitting.
I've just tried to keep my eyes open, tried to read everything you can, and tried to see whether I see myself within it. If I do, then I can get excited about it.
Ive just tried to keep my eyes open, tried to read everything you can, and tried to see whether I see myself within it. If I do, then I can get excited about it.
I'm a mother myself, and sometimes mothers get a bad rap just because they've tried to do their job. Some people have more of a knack for it than others do, but almost all of it falls to, 'My mother's suffocating me.' Whatever.
Being under-recruited coming out of Highland, I've carried that with me. I keep pushing forward, keep working hard every day, keep my head on straight every step of the way. I tried to keep the reality hat on, knowing I might not get to the NFL, but I also knew it was a great possibility if I kept myself hungry.
Luther Vandross and I met in Roberta Flack's band. He was singing background, I was playing bass, and Roberta was beautiful. She's like the mom to all these young musicians in New York. At that time that I met Luther, I was a musician snob. For me, the singers were just the people out in the front to keep the audience entertained. While the musicians did the real work.
I'm not conditioned to be an entertainer. An entertainer pleases others while an artist only has to please himself. The problem with that is artists are misunderstood by all. I'm not interested in the clarinet but in music. we speak our emotions into music. An artist should write for himself and not for an audience. If the audience likes it, great. If not, they can keep away. My situation is the same. Let them concentrate on my music and not on me. I like the music. I love it and live it, in fact. But for me, the business part of music just plain stinks.
I've always tried to keep reinventing myself and to keep appealing to young people and when I go to colleges now and do my spoken-word show it's astounding to me how I get older and the audience gets younger. To me, that's the best compliment. That's better than money, that's better than anything.
I've always thought that people who left a great deal of money in their will never enjoyed the great honor and privilege and heart-rendering feeling of giving to others during their lifetime, because they were too selfish to give to others while they were alive, so they made sure they were dead and couldn't use it anymore.
I always want the audience to identify with my character in some way. I mean, sometimes you'll get characters that aren't very identifiable. Sometimes you can't relate to your character at all. I think it's important to keep the audience interested. But the best advice that I've gotten is to live in the moment.
My character [in Ted Bundy] was unaware of all the murders that were being committed by him, so I kind of tried to keep myself out of it and kind of keep an innocent point of view from it. The hard scenes for me were the sex scenes just because there's like sexual deviance going on and there was stuff that he want her to do and that was really disturbing.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
It was like any other relationship, there was jealousy on both sides, there were split-ups and reconciliations. There were also fragmented moments of great peace and beauty. I often tried to get away from her and she tried to get away from me but it was difficult: Cupid, in his strange way, was really there.
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