A Quote by Norm MacDonald

When people told the audience that [Sam Kinison] was good, he was accepted after that. — © Norm MacDonald
When people told the audience that [Sam Kinison] was good, he was accepted after that.
There hasn't been an original voice in stand-up since Sam Kinison.
[sam] Kinison, when he started out, he'd come to Canada when I was first starting, and he'd always [bomb].
I've met so many remarkable people so far, coming up through stand-up all these years, who just aren't alive anymore. Because they are dead. Some really great people who helped change my life and career, people like Richard Pryor, Sam Kinison, Rodney Dangerfield, Johnny Carson.
I love Dallas, Austin and Houston. Why? Because some of the best comedians, like Bill Hicks and Sam Kinison, started their careers in Texas, and because the crowds there are comedy-educated.
Sam Kinison was one of the most compulsive people I'd ever seen. James Belushi was that way, and Chris Farley was that way. He was incredibly talented and made me laugh so hard, and there was nothing he wouldn't say. Such a unique, amazing, cynical, realistic, but still optimistic look at life he had. It was great fun to get to know him.
When political correctness first started coming around, it ruined Andrew Dice Clay and Eddie Murphy's stand-up career. Sam Kinison died at just the right time, 'cause no one was going to tolerate what he was saying anymore either.
My publicist told me that a magazine was going to say I was having a thing with either Sam Claflin or Bradley Cooper, and I got to choose. And I chose Bradley Cooper because I love Sam's fiancée so much. Sam is so sweet. So sweet that he's almost not hot anymore.
To me, those three are the revolutionaries. Richard Pryor was honest, raw. George Carlin was brilliant. He was also deep, fearless. And Sam Kinison was another one who went deeper and he revolutionized the angle of tackling humor with the whole rock star element of yelling and screaming, which was hilarious.
Nobody's good. I hate it. I truly hate it. I mean, there's a lot of guys doing stuff I admire, but stand-up-wise I feel very alone. I really miss Bill Hicks. I wish I could have put him on my show. And I really miss Sam Kinison a lot. Richard Pryor's sick... It's like you get here and then, oh wait a minute, there's nobody here any more. I feel like the guy who finally got into Studio 54, three years too late, Duh, where are all the famous people?
The easiest thing to do is put someone in a file of somebody you already know. 'Hey, you remind me of Sam Kinison' or 'You remind me of Richard Pryor.' That's fine, because I know that's the process. Eventually, my own file will be created.
If I can make you laugh and learn, I want to be like George Carlin and Richard Pryor and Eddie Murphy and Sam Kinison and Chris Rock and Dave Chappelle. I want to be of that ilk, I don't want to just make you laugh, I want to make you think.
I've signed four autographs for Sam Worthington in L.A., and I haven't told any of the people that I'm not him.
My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
You have a steady fella?” Sam asked after a bit. “No fella can hold me for long.” Sam gave her a sideways glance. “That a challenge?” “No. A statement of fact.
My career is too short for there to be any turns! But I would say that not everyone is noticed and accepted in their debut films. I was accepted both by the industry and the audience.
Knowing that I inspired SAM SMITH is one of the most powerful experiences I've had as an artist. I was Sam. I still am Sam.
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