A Quote by Norm MacDonald
Letterman is very intimidating because he's so funny, so you have to be really prepared. Also, he's a little squeamish about certain things, so you have to always be on guard to please him.
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I think David Letterman is a genius. Night after night he is funny and smart. He seems to really enjoy his jokes. They seem connected to who he really is. I like watching him, and there is no one better at turning an awkward moment into something very funny.
It's funny because you do often read in recounts of very famous albums, people tend to focus on mistakes in really positive ways, and there's certain mistakes of my own that I always do find on every record that I needed to accept. I find it really interesting to talk about. I always write songs at the wrong tempos, and I have to learn to accept that a little bit.
I recently did the David Letterman Show about my book. He was very serious and made no jokes and it caught me off guard a little bit. He was much more serious than some of the joke shows that journalists get on.
A lot of what 'Funny Girl' is about, for me, is the experience feeling very happy doing a certain thing with a certain group of people. That partly came about because of having really positive experiences writing movies.
That was real disrespectful and stupid. But it ain't really catch me off guard. I mean, when you see certain things in a person's character [like J-Hood], you don't get really get caught off by guard by certain actions.
A very tall man once asked a question after my talk. Before beginning his question, he explained that the reason he was standing up is not to be intimidating but rather to make eye contact. His question was essentially "are we really interested in moral motives? Isn't it all about action?". I pointed out to him that it was not enough for him to do the right thing - stand up - but he also wanted me to know that he is doing it from the right motive or for the right reason - to make eye contact, rather than to be intimidating. Voila, moral psychology.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore, and I am very squeamish about violence, but Tarantino's violence is actually funny.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore and I am very squeamish about violence, but Tarantino's violence is actually funny.
I used to be squeamish a long time ago and I guess, secretly squeamish, no... but I have a huge respect for the human body and what we do and so I think it's a massive privilage for people to let you operate on them. And I used to be very "OOOH GOSH! THIS IS BAD!" but to see people bleeding and suffering is bad and I will never get over that, but being able to do something about it, means that you're no longer squeamish.
What's funny is, I was always certain that I couldn't be a director because there are things about the physics of camera and lighting that I fundamentally cannot wrap my head around.
I married young. I had an instinct that this man was going to really wear well, and he has. For me, this is what worked. I always admired Helmut because he was, A, very smart, B, very sure of himself and very, very funny, and so that combination of things.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
You know, with the film industry crews, there's an odd mix between a very technical and a very artistic approach to the work, and sometimes as a woman you have to be a little bit careful about how things come out because people don't really want to listen if it's in a certain emotional tone or too strong.
My mother and my father are both very funny people, and they're both artistic in their own right. Oftentimes, we get very dramatic about things, but we also laugh really hard.
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
My uncle is so funny - Don Vito. He was always fat with the craziest voice. Dude, he barely speaks English; it's just full-blown jibber-jabber. It's so funny to watch on TV because you really need subtitles because you can't understand him.
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