A Quote by Norma Fox Mazer
I guess, really thinking about it, I always assumed when you missed someone , it was tangible...something real you could grab and hold on to, but it's a not-there feeling.
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As an actor, acting is like playing a sport. You do this thing that's intangible, and while it's happening, it's great. But then when it's done, there's really no tangible product. Someone else is capturing it and turning it into something tangible.
So I always think its important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
So I always think it's important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
The exciting part about sitting down and writing songs, playing shows, or being a musician in general is that you never know where those songs and that music is going to take you. There's such a cool feeling about that the phone could ring tomorrow and someone could say "he guess what? your song..." That really is cool.
I always feel like I'm struggling to become someone else. Like I'm trying to find a new place, grab hold of a new life, a new personality. I guess it's part of growing up; it's also an attempt to reinvent myself.
Such a strange thing, to hold a six-year-old's hand. Especially a six-year-old you've only just met. A toddler will grab hold of your finger, and someone your own age will clasp on to your whole hand, but with six-year-olds it's something in between, this acknowledgment that they can't be the one to take hold, so you have to do all the holding, folding your hand around theirs, feeling so much bigger and responsible.
It's really hard to find a love song that is real. That's when you really strike a chord with somebody, when you dig in deep and grab a hold.
My feeling is that if there are that many billions of stars, maybe someone is saying exactly what I'm saying at this moment. I don't know. It's not something I'm obsessed by or think about all the time, but I certainly open to thinking it could be.
The monsters and creatures were always scarier when they felt very real and tangible, and there's something about CG that lessens the impact of it.
There's nothing better than that feeling of new chemistry when you're so into someone, and you could care less about what anyone else thinks... and there's butterflies! It's a real feeling that people experience.
Wondering whether Christianity is real is not the same as wondering whether Christianity is true. If you question the truth of Christianity, you can do something tangible about it. You can read books, take a class, or talk to someone about it. But what can you do when you're already convinced it's true but don't experience it as real?
For 'Thunderstruck', I discarded about a dozen ideas. And then one afternoon, I was thinking about wireless. I don't know why. I guess because it's become so ubiquitous. I was thinking that maybe there's something I could do about the origin of wireless, so I did what any self-respecting person does these days: I Googled 'wireless.'
It's not always a conscious thing - I've never been that artist to come to the recording session with a concept of an album; I am a lot more intuitive. I usually start with the music and try to catch a feeling, a gut feeling. And then you need to do interviews and explain yourself more, in words. But during the process it's really about the gut feeling, and it's hard to explain. You're trying to find those moods that make you feel something, I guess.
What I remember about the experience is that if you went to go see 'Born On The Fourth Of July' and you happened to take a bathroom break real quick or grab some popcorn, you probably missed me. It was short, but it was memorable.
What I remember about that experience is that if you went to go see ' Born On The Fourth Of July' and you happened to take a bathroom break real quick or grab some popcorn, you probably missed me. It was short, but it was memorable.
But I'll tell you something else, too. Something I've learned, the hard way. I guess"—Gram laughed a little—"I'm the kind of person who has to learn things the hard way. You've got to hold on. Hold on to people. They can get away from you. It's not always going to be fun, but if you don't—hold on—then you lose them.
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