One can see from space how the human race has changed the Earth. Nearly all of the available land has been cleared of forest and is now used for agriculture or urban development. The polar icecaps are shrinking and the desert areas are increasing. At night, the Earth is no longer dark, but large areas are lit up. All of this is evidence that human exploitation of the planet is reaching a critical limit. But human demands and expectations are ever-increasing. We cannot continue to pollute the atmosphere, poison the ocean and exhaust the land. There isn't any more available.
I see knowledge increasing and human power increasing, I see everincreasing possibilities before life, and I see no limits set to it all. Existence impresses me as a perpetual dawn. Our lives, as I apprehend them, swim in expectation.
Think about what it feels like when you interact with someone who makes you notice what's good about yourself (raising your status), who is clear with his expectations of you (increasing certainty), who lets you make decisions (increasing autonomy), who connects with you on a human level (increasing relatedness), and who treats you fairly.
In the 1950s, Hong Kong was a place where millions of people could go, from the mainland, to start in jobs like sewing shirts, making toys. But, to get on a process of increasing income, increasing skills led to very rapid growth there.
Is the warming unprecedented? Probably not. There is abundant historical and proxy evidence for both hotter and cooler periods in human history. Is it our fault? Again, maybe. The correlation of increasing warmth with increasing carbon dioxide concentrations is particularly weak; that with solar energy and with ocean movements is much stronger.
Everywhere my sons and I go, we're telling people the good news about Jesus, blowing duck calls, and making people, happy, happy- then down the road we go.
For me, filmmaking is not about making statements but about exposing human behavior so people are eager enough to start thinking on their own and make their own assumptions.
Many people think making a film about history... about war... about the Holocaust, it might be heavy, dramatic and traumatic. I don't see things like that... you can find irony everywhere. It's how I look at life.
A good theoretical account must explain all of the evidence that we see. If it doesn't work everywhere, we have no idea what we are talking about, and all is chaos.
In olden times when there was a war, it was a human-to-human confrontation. The victor in battle would directly see the blood and suffering of the defeated enemy. Nowadays, it is much more terrifying because a person in an office can push a button and kill millions of people and never see the human tragedy that he or she has created. The mechanization of war, the mechanization of human conflict, poses an increasing threat to peace.
Chauvet Cave is rather like the awakening of the modern human soul or I would say the awakening of modern human culture. Because Neanderthal men who still rode the landscape parallel to the people who did these paintings didn't have culture. There's no evidence of culture, no symbolic depiction, no evidence of music, no evidence of sculptures, no evidence of religious beliefs.
What I see in the Arab world, in Egypt, everywhere is increasing radicalization.
We go to sea repeatedly from Melville's time on - and the image of men at sea, like the image of men in the wilderness, seems to me to be almost an archetypal image of human beings on their own, human beings making their own way, guiding themselves by the stars they can see - rather than by faith or prayer or invisible forces.
Sometimes you have to go and do something different. I'll just disappear and write a couple of books, and then go back and do some TV when I've been forgotten about, and people think it's fresh. I see people who suddenly put themselves around everywhere and I think, 'You're going to last for about two years and vanish.'
We don't see the people that vice destroys. We just see the glamour of it - everywhere we look, from billboard signs to movies, to newspapers, to magazines. We see the destruction of human life.