A Quote by Norman Braman

I wanted to show the community you can build something here without having to raid taxpayers' dollars. What better way to show the community what we're all about, as a welcome to come to the Institute of Contemporary Art and be a part of what we're doing here?
The word “art” is something the West has never understood. Art is supposed to be a part of a community. Like, scholars are supposed to be a part of a community... Art is to decorate people’s houses, their skin, their clothes, to make them expand their minds, and it’s supposed to be right in the community, where they can have it when they want it... It’s supposed to be as essential as a grocery store... that’s the only way art can function naturally.
The Broadway community is unlike any community in show business and it is unlike any community in the world. When you come into the Broadway community they open the door and they say "welcome". Not only do they do that, but when times are really tough and horrendous things have happened and really tragic things - the Broadway community shows up! And they say "how can we help?".
Our lack of community is intensely painful. A TV talk show is not community. A couple of hours in a church pew each Sabbath is not community. A multinational corporation is neither a human nor a community, and in the sweatshops, defiled agribusiness fields, genetic mutation labs, ecological dead zones, the inhumanity is showing. Without genuine spiritual community, life becomes a struggle so lonely and grim that even Hillary Clinton has admitted "it takes a village".
The community of the Giver had achieved at such great price. A community without danger or pain. But also, a community without music, color or art. And books.
Build. Transform. Love. These are words I use all the time as we speak about community building and even real estate development because these are the kind of communities, like, we want to show you don't have to move out of your neighborhood to live in a better one. And when people think about living in a neighborhood, they are not thinking about fight - the community of their dreams, they are not fighting in it, they are not struggling in it. It's not, "Oh, I gotta put on my armor." All the time. I don't want to live like that. I don't.
I think that hope, that ability to envision, to imagine a better way, and then to apply yourself to it, is the way to climb out of a hole, is the way to build a better life, is the way to build a better community and a better country.
Fashion is also a form of art, and like every kind of art, it has its own way of expression. In other words, if a dress looks better on a thin girl, on a catwalk, during a very specific moment of time and space then it's represented as part of a "fashion Show". It is after all a "Show" and it has to be understood by people that it is a "show" and not real life.
Show me a healthy community with a healthy economy and I will show you a community that has its green infrastructure in order and understands the relationship between the built and the unbuilt environment.
I love the community of theater. There is something about the camaraderie: People who show up eight times a week to do a show. It's unlike any other business. It's just lovely. You feel like you're in a family.
We got a commitment that 3 million nurses are going to be trained to better identify these signs [of PTSD], because, you know, when these troops come home and they become veterans and they go back into the civilian community, they're not always going through the VA system for medical care. They're going to show up at community hospitals and clinics.
Don't think your dreams don't come true, because they do. You'd better be careful what you wish for. And I truly and honestly - one day I am doing the 'Beaver' show and I said, 'This is the show I have always wanted to do.'
I have always been involved with radio, whether it was as an artist talking to radio about my own songs, or as a promotion man at Def Jam to working records through my company. In 2000 I was asked to host a show in Norfolk VA and through that show I was then asked to host the morning show in Detroit. The concept of the show was around Hip Hop. We were active in the community and we wanted to do a local show that had a hip hop feel around it.
It's very difficult for me to travel now without music just because I'm so spoiled. It's a huge luxury to go and play your music for all these people around the world and having come up to you in a special way - they really want to show your their city, or really want to show you where they are from. If you are just traveling, you don't get that same welcome.
So we want to make sure that happens is that we build a relationship with the police department and the community that results in better policing and better cooperation with the community.
I feel so lucky to have the opportunity to make the show, and that it is in alignment with what I'm interested in, with what I read about. For me, it just felt like an organic step - of course, I'm thinking I want a show that allows for more representation for the community and shows the struggles people face, especially when we're hearing all this political rhetoric - to have a way to show how much this affects people lives.
In terms of my inspirations to become an artist, I think they come from early ideas and impressions about community, and the type of community I wanted to be in, and the type of thinking I wanted to do.
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