A Quote by Norman Braman

If an institution has not made it after 10 years, it shouldn't be around anymore. — © Norman Braman
If an institution has not made it after 10 years, it shouldn't be around anymore.
I don't believe in the institution of marriage anymore. It's redundant; it's an outdated institution. It's like lanterns in a house, you don't use them anymore.
After 10 years of WWE, in a somewhat dramatic fashion, it just didn't feel right, so I stepped out of my contract, and after 10 years of that schedule, I had all this time.
When I was about six years old I decided to make a teddy bears' picnic in our dining room, so I set up 10 dolls and teddy bears around the table and made them each an apricot jam sandwich. It was only when I sat down that I realized I'd made 10 apricot jam sandwiches for 10 inanimate objects, and that I'd have to eat them all.
Historically, we have always seen reversion to the mean. After stocks have had an unusually great 10 or 20 years, they typically turn in subpar results over the next 10 or 20, and after bad 10- to 20-year stretches, the next 10 to 20 tend to be above average.
The part that's difficult is being single, at 41, after 10 years of marriage and two kids. That's like having a bunch of money in a currency of a country that doesn't exist anymore.
The marriage of a man and woman is the most enduring human institution, honored in all cultures and by every religious faith. It's in this institution that children are meant to be nurtured. We know this after thousands of years of human experience.
If you take anything that succeeded, just imagine it succeeding 10 years before or 10 years after, you could almost always make, with the same plausibility, the "it fit the times" argument.
Life is short. I'm 47 years old. I've got 10 years to go where I can be the best I can be. I want those 10 years to be precious, not like before, cranking two or three movies a year. I've made a ton of movies in my life, but so what?
My creative process isn't a long one, so I could have started a song 10 years ago and then finish it 10 years later. It's all just about pushing around words and melodies, for me. The material is kind of shape-shifting.
I don't care about my personal acting career anymore. I'm done with it. After 10 years of making movies and doing better than I ever could have imagined, I sort of had to ask myself: 'What am I supposed to do with all of this success that I have had?'
A couple of years after I arrived in Hollywood, everything that was Latino was fashionable, and years after, my thought is that we're not fashionable anymore. We're here to stay.
I'm not sure that it's right to view this as excluding a particular group. When the institution of marriage developed historically, people didn't get around and say, 'Let's have this institution, but let's keep out homosexuals.' The institution developed to serve purposes that, by their nature, didn't include homosexual couples.
All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.
The constant is always mythologies and the very first stories that we have. All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.
If I had not played basketball and made the millions of dollars that I had made, I would never have been able to build a hospital in Congo. It started in 1997, and 10 years later I was able to unveil the Biamba Marie Mutombo Hospital, named after my mother, in my hometown outside of Kinshasa. It was such a blessing.
No one born in the 1950s took much interest in my generation, and all we've done is try to fix it by talking to the people who came after us. I don't hang out with anyone who is 10 years older than I am, but I hang out with a lot of people who are 10 years younger.
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