A Quote by Norman Doidge
We must be learning if we are to feel fully alive, and when life, or love, becomes too predictable and it seems like there is little left to learn, we become restless - a protest, perhaps, of the plastic brain when it can no longer perform its essential task.
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During zazen, brain and consciousness become pure. It's exactly like muddy water left to stand in a glass. Little by little, the sediment sinks to the bottom and the water becomes pure.
We do not have to die to enter the kingdom of Heaven, In fact we have to be fully alive. When we are truly alive we see that the tree is part of Heaven and we are also part of Heaven. The whole universe is conspiring to reveal this to us. Peace is available and when we touch it everything becomes real. We become ourselves, fully alive in the present moment.
When you learn to love your physical body, every activity can become a ritual of gratitude where you fully express the joy to be alive!
For a long time, we assume we know who we are, until the moment we fully realize who that is; in that moment, identity is no longer predictable, but rather takes the form of a truth that, like any other, can become a sentence with no more than a change of perspective.
Given that the dreaming brain must perform these remarkable contortions - creating a world, living in it, responding to it, and then carefully blocking all the responses in a manner that does not cross the threshold of awareness - it is no wonder that this dreaming brain seems to be more active than the waking brain.
Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine.
As actors and actresses, we must rejoice in the possession of our physical faculties. We must experience joy in the use of our hands, arms, body etc. Without this appreciation and realization of the body and its many possibilities, we cannot perform as artists
You should feel a flow of joy because you are alive. Your body will feel full of life. That is what you must give from the stage. Your life. No less. That is art: to give all you have. And what have you? Your life-nothing more. And to give life means to feel life throughout your whole being.
Year by year we are learning that in this restless, strenuous American life of ours vacations are essential.
For young people in the U.K. who find themselves without anywhere to live - perhaps they have left the family home after a relationship breakdown, or to escape abuse, or have left care - it is far too easy to become trapped in a chain of misfortune, with little help from the state.
In a word, we may reasonably hope for the virtual abolition of education when I'm as good as you has fully had its way. All incentives to learn and all penalties for not learning will vanish.The few who might want to learn will be prevented; who are they to overtop their fellows? And anyway the teachers-or should I say, nurses?-will be far too busy reassuring the dunces and patting them on the back to waste any time on real teaching. We shall no longer have to plan and toil to spread imperturable conceit and incurable ignorance among men. The little vermin themselves will do it for us.
Don't become too narrow. Live fully. Meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart.
My benefactor said that when a man embarks on the paths of sorcery he becomes aware, in a gradual manner, that ordinary life has been forever left behind; that knowledge is indeed a frightening affair; that the means of the ordinary world are no longer a buffer for him; and that he must adopt a new way of life if he is going to survive. The first thing he ought to do, at that point, is to want to become a warrior.
Every mother in the world knows this feeling one day... of emptiness, a time comes where you feel a little less useful because you're no longer running left and right. Life no longer has the same rhythm.
I think Miss Moore was right to cut "The Steeple-Jack" - the poem seems plainer and clearer in its shortened state but she has cut too much... The reader may feel like saying, "Let her do as she pleases with the poem; it's hers, isn't it?" No; it's much too good a poem for that, it long ago became everybody's, and we can protest just as we could if Donatello cut off David's left leg.
Oh,' she said, too bone-weary to pretend: 'I would far rather that I love you as I saw yesterday I do than that I had gone on worshiping you as I did not long since.' And she turned away hastily, and did not see that Little John would reach out to her; and half-running, went to Tuck's cottage, where she could pull on her half-dry clothes, and become a proper outlaw again. At least, she thought, fighting back tears, like this I am Cecil, with a place among friends, and a task to do. I am someone. I wonder if perhaps if I am no longer Cecil, I am no one at all.
One day I found out that personal history was no longer necessary for me and, like drinking, I dropped it... Little by little you must create a fog around yourself; you must erase everything around you until nothing can be taken for granted, until nothing is any longer for sure, or real. Your problem now is that you're too real. Your endeavors are too real, your moods are too real. Don't take things so for granted. You must begin to erase yourself.
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