A Quote by Norman Foster

Everything we design is a response to the specific climate and culture of a particular place. — © Norman Foster
Everything we design is a response to the specific climate and culture of a particular place.
As a field archeologist, one usually has to specialize in a particular part of the world or specific culture, whereas if one is a materials specialist, one can jump around to different areas. So I've had experience on excavations all over the place.
Design is a field of concern, response, and enquiry as often as decision and consequence... it is convenient to group design into three simple categories, though the distinctions are in no way absolute, nor are they always so described: product design (things), environment design (places) and communication design (messages).
Everything in the world is part of a design. Everything has meaning and purpose and a place in the pattern of existence, only it's not always possible to understand what that design is. Only God can understand the design, because he invented it.
There is no "era" of simple, focused, concept-driven identity design. There is only design that grows out of understanding audiences for specific problems, and that evolves from an idea. This is an approach that does not depend on any specific time period or its technology.
What a photograph shows us is how a particular thing could be seen, or could be made to look - at a specific moment, in a specific context, by a specific photographer employing specific tools.
Design is a response to a specific problem. You are given a problem to solve, and then you let the problem itself tell you what your solution is.
I always tell young journalists to leverage what you have. If you have a particular language skill or access to a particular place or culture in a way that others don't, that's your advantage.
I cannot pursue my architecture without considering the minimization of energy consumption, simple and direct technologies, a respect for site, climate, place and culture. Together, these disciplines represent for me a fantastic platform for experimentation and expression. Of particular importance is the junction of the rational and the poetic resulting hopefully in works that resonate and belong to where they reside.
Everything God does has purpose and intention behind that design. It is a master design, and every little thing has its proper place and function.
A movie as specific as 'Heathers,' which took place in a specific time and specific place and in which many of the characters got killed off, I never thought it made sense to see a sequel.
Everything takes place in a season. There was a season when that's all I did was listen to the music. Now I'm just in a place where I don't listen, I create. And if I do listen there are specific things that I listen to, and for specific reasons.
Perhaps 25 to 50 years from now, I can design a piece of music, no so that it appeals to something common in millions of people, but I can design the music so that it's exactly right for you and only you at this particular moment for your particular experience, things that have happened to you over 20 years, to you're particular mental state right now.
When I concentrate on a specific site or place for which I am going to design a building, I try to plumb its depths, its form, its history and its sensuous qualities.
New York police force seems like unlike any other in America and even the world. There's a very specific culture dynamic, a specific chemistry. There's almost a specific set of rules because of the city and the size of it.
It was very liberating, living in a foreign country, a place where everything was new and strange - the food, the customs, the climate, everything.
...it is fairly well agreed that the surface temperature will rise about 1°C as a modest response to a doubling of atmospheric CO2 if the rest of the component processes of the climate system remain independent of this response.
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