A Quote by Norman Lear

I was writing for live television. And I said to myself, someday, soon as I can, I have got to do a situation comedy. — © Norman Lear
I was writing for live television. And I said to myself, someday, soon as I can, I have got to do a situation comedy.
My partner after Fred Freeman was Jerry Belson. And Jerry Belson, after I was doing so well writing situation comedy, said, this is not good enough. We got to create our own shows. I said, but we're very happy doing this. No, no, no, you got to get your own show. So he made me - and he and I created our own shows. And we actually - everything we created failed. "Hey, Landlord" was our first show - 99th in the ratings. But imagine this - it's a great reflection on the years.
To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.
I asked Mr. Vann which O levels you need to write situation comedy for television. Mr. Vann said that you don't need qualifications at all, you just need to be a moron.
Because I work quite slowly, I have to keep myself interested over a long research and writing period. So I can't see myself writing about modern middle-class Londoners anytime soon.
While optimism makes us live as if someday soon things will soon go better for us, hope frees us from the need to predict the future and allows us to live in the present, with the deep trust that God will never leave us alone but will fulfill the deepest desires of our heart... Joy in this perspective is the fruit of hope.
There are a lot of great jokes you can sit down and write, but that's just a written joke, versus the comedy of the situation. Ideally, you're pulling as much comedy out of the situation as you can.
Don't we all die someday and someday comes all too soon? What will you do with your own wild, glorious chance at this thing we call life.
Anyone can write. But comedy, you've got to do some writing. You get one comedy script to every 20 dramas.
When we graduated [ from Cambridge], we were grabbed right into television. I was grabbed straight into the practice of writing comedy. It was all writing and performing. You wrote something in order for you to perform it.
To me, Fight Club was a comedy. When [David] Fincher sent me the book and I read it, the first thing I asked him was, "This is a comedy, right?" he said, "Yeah, that's the whole point," and I said, "Okay, I'm in." I certainly wasn't imagining myself as a dramatic actor when I was running around in my underwear in that film.
Seriously,” Shane said, “this kind of is the worst situation we’ve ever been in, right?” “Speak for yourself,” Michael said. “I got myself killed last year. Twice.” “Oh yeah. You’re right—last year really sucked for you.
I wanted to come to Chicago. I also wanted to do "Saturday Night Live." And then I got to a place where I didn't want to do those things anymore.For the sketch comedy thing, I got cast on "MADtv," and that will kill any man's desire to do comedy.
In television, and especially in a situation comedy, you kind of play yourself, or at least the essence of yourself.
I remember saying, very almost jokingly, I'm going to take over the world through television, that's my plan. And I said it to my agent, and I said it to my friends, and I said it to myself.
I like to watch and perform the kind of comedy that comes out of the situation - where the character is really serious and in a tough situation and doesn't realize that the situation is comic.
Back in high school I told my dad, "I'm going to have a computer someday." And he said that it cost as much as a house-the downpayment on a house. And I said, "Well, I'll live in an apartment."
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