A Quote by Norman Lear

Bud [Yorkin] was the kindest and dearest man, and one of the most talented directors there was. — © Norman Lear
Bud [Yorkin] was the kindest and dearest man, and one of the most talented directors there was.
I guess the story that best defines us [with Bud Yorkin] and our relationship goes back to the [Dean] Martin and [Jerry] Lewis show. The four stage managers on that show became major TV creators and directors - John Rich, Jack Smight, Arthur Penn and Bud Yorkin.
Nature's law, That man was made to mourn. Man's inhumanity to man Makes countless thousands mourn! O Death, the poor man's dearest friend, The kindest and the best!
The best and most talented directors - and I think it goes for people too - are the most confident in giving room to their actors and trusting them.
Bud [Yorkin] broke out big when he did 'The Fred Astaire Show' and won four Emmys. His wife at the time suggested that we team up. We got a lot of press in show business papers, and a number of offers...we eventually signed with Paramount Pictures. But I always like to say, his was the horse that we rode in on. That is my favorite recollection.
There are a lot of directors I'd still love to work with. Paul Thomas Anderson is someone I'd love to work with. I think Alejandro Gonzalez Inarritu is very talented. Ang Lee is very talented. I mean, there are a lot of people. There are many great directors out there.
I had to learn that I'm not that special. I may be talented, but I'm not the most talented in the world. And some of the most talented players don't even make it.
And writers say, as the most forward bud Is eaten by the canker ere it blow, Even so by love the young and tender wit Is turn'd to folly, blasting in the bud, Losing his verdure even in the prime, And all the fair effects of future hopes.
I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
I hope my talent has something to do with it. I just think this business is so crazy. I obviously do the best I can, and the directors I admire see something in me. But this is a strange business, and there are people who are incredibly talented who never make it, who never get these opportunities. So that's why I say I'm lucky. I don't feel that I'm not talented - I think I am talented - but I also think I'm very lucky.
No, my husband Jason is the sweetest, kindest, most secure man I know. Jason knows he's had my heart for over 14 years, and it's his forever.
Eugene Levy is such an incredible legend. He's truly Jim's dad from 'American Pie.' He's the kindest, most fatherly man, who is just concerned about everyone and making sure they're comfortable on set.
I'm not going to say that the other people I worked with weren't artist. They were all very great, very talented people, but I think Guillermo [del Toro] will go down in cinematic history as one of our more talented, visually brilliant directors.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
Bud Johnson, God rest his soul of fame, a tenor saxophonist. Bud was always a big, big, big booster of mine and he always when I first met Bud in Pittsburgh when he came through there, he heard me sing and he wanted me to come to Chicago.
I've turned down good directors before because I knew the part didn't speak to me and I've worked with less talented directors before because the part I had such passion for.
I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors. That doesn't mean I don't like to work with starting up young directors, that's fun also.
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