A Quote by Norman Lear

As a matter of fact, when people ask where my 'point of view' comes from, it was there in one of the first sketches we wrote for [Dean] Martin and [Jerry] Lewis. — © Norman Lear
As a matter of fact, when people ask where my 'point of view' comes from, it was there in one of the first sketches we wrote for [Dean] Martin and [Jerry] Lewis.
We all [Ed Simmons,Dean Martin and Jerry Lewis] started together, so there were no rules - anything we wrote became television.
We mocked that concept ['movies are better than ever'] by doing a sketch that was about a theater trying to get one customer to come in...and that customer was Jerry Lewis. It generated so much controversy that Dean [Martin] and Jerry [Lewis] had to apologize in a full page ad in Variety.
Next up [new TV stars] was [Dean] Martin and [Jerry] Lewis on 'The Colgate Comedy Hour.'
I guess the story that best defines us [with Bud Yorkin] and our relationship goes back to the [Dean] Martin and [Jerry] Lewis show. The four stage managers on that show became major TV creators and directors - John Rich, Jack Smight, Arthur Penn and Bud Yorkin.
When people ask me if Dean Martin drank, let me put it this way. If Dracula bit Dean in the neck, he'd get a Bloody Mary.
When I played Dean Martin, he was dead when we made the movie but there would have been nothing better than to spend a week with Dean Martin if I could have.
Everywhere I go in America, when they learn I'm from France, the first thing they ask me is if I'm a huge Jerry Lewis fan. I've never been able to figure that out.
[Dean Martin] is an absolute, unqualified drunk. And if we ever develop an Olympic drinking team, he's gonna be the coach... Dean Martin has been stoned more often than the United States embassies.
The original Dean Martin Comedy Hour handed me some hysterical sketches. I've got highlights on tons of these variety shows, given to me by their great writers. I'd love to be doing all that again.
The man who became a big influence in my life was Dean Martin. He started my career in Las Vegas. When I came to Las Vegas, he put his name on the marquee: 'Dean Martin presents Engelbert Humperdinck.' And I'm the only one he ever did that for.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
We didn't know anything about comedy duos - Abbot and Costello, Martin and Lewis - we didn't know anything about that. Kim Fields showed us a tape of Martin and Lewis and their old shows and they come through the curtain so we started doing research on them.
Rock n' roll sounded like music from another planet. The first time around, we had people like Elvis, Little Richard, Chuck Berry, Jerry Lee Lewis - all them people.
I've always been inspired by Dr. Martin Luther King, who articulated his Dream of an America where people are judged not by skin color but "by the content of their character." In the scientific world, people are judged by the content of their ideas. Advances are made with new insights, but the final arbitrator of any point of view are experiments that seek the unbiased truth, not information cherry picked to support a particular point of view.
In my view, philosophers have shown a great deal more respect for the first-person point of view than it deserves. There's a lot of empirical work on the various psychological mechanisms by way of which the first-person point of view is produced, and, when we understand this, I believe, we can stop romanticising and mythologising the first-person perspective.
I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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