A Quote by Norman Lock

I tell myself that, regardless of what source I draw on, I'm writing a new work for reasons peculiar to me and not an adaptation, and so feel, in the end, justified in singing it my way.
When I'm editing my work, I'm looking for everything to fit, to feel seamless, for every detail or line of dialogue or scene to feel necessary and organic. I approach the writing of others in much the same way while always working to preserve the writer's voice. To allow myself to be vulnerable on the page, I tell myself no one is going to read my work. There's no way I could put myself out there otherwise.
The thing about me is, coming from an alternative music background and singing for nine years, being basically invisible, I'm so used to writing for myself - and at the end of the day, I do it because I feel like I have to. So when I'm recording or writing, I don't have other people in mind.
My mind was so geared towards being a performing artist, singing all these classical pieces, but the sense of loneliness I got when I moved from New York to El Paso meant that writing turned into singing. I'd sing all these songs, and they'd make me feel better. Songs that crafted the way my life was going to go.
The lead character in 'Adaptation' is pretty much me but with more talent. Every time I watch 'Adaptation,' I feel very emotional because it makes me be kinder to myself and see the human situation a little more clearly.
I try to focus on the present, what I'm doing now. I feel like the best design I can have is an awareness of where I've come from so that I don't repeat myself. Luckily, my work provides me with a tremendous source of new opportunities.
I'm not the "not-working" type. I derive pleasure from my work. Work gives me relaxation too. Every moment I am thinking of something new: making a new plan, new ways to work. In the same way that a scientist draws pleasure from long hours in the laboratory, I draw pleasure in governance, in doing new things and bringing people together. That pleasure is sufficient for me.
So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.
What singing means to me, I never did consider myself a singer, I just let people watch me feel music and how it comes through me. I've worked on it and practiced a lot. I mean, music, I dance to it, and singing is just one way of getting it out of me.
I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.
I believe that every man can multiply his own ability by almost constant wordless realization of his unity with his Source. I have, myself, made that feeling so much a part of me that I actually feel myself to be an extension of the Source; that my works are not my own, but interpretations of this Source.
I'm writing out of desperation. I felt compelled to write to make sense of it to myself - so I don't end up saying peculiar things like 'I'm black and I'm proud.' I write so I don't end up as a set of slogans and clichés.
I find it hard myself to feel justified to sing in a very politically direct way about war or social conditions because I feel so ignorant of a lot of it.
What's interesting to me is that in terms of people who I feel are getting what my game is about - and here I'm not even talking about what the elements of the story mean, like, whatever symbolism and metaphors and things are in there. But even the structure of the game, like, there's a fundamental structure and reasons in the way things are laid out, and parts of the game that are meant to draw people's attention to certain things, regardless of what's contained in that structure. And what's interesting to me is that some people get that, and some people don't.
I've always tried to tell myself that the work itself is the thing, that win, lose, or draw, the work is really what counts.
Any platform that you use to tell stories helps you regardless of the medium regardless if they are bedtime stories that you tell your children or comics or film. Specifically what makes comics unique is that they are a storytelling device that forces you to think both visually and economically. Some might say you are limited by your imagination, but that is not true because someone has to draw it.
I'm an actor. My life as an actor depends on who sends me what. I'm just taking the best stuff that I can find that's sent my way, regardless of how big or little the paycheck is. I don't want to work for scale anymore. I'm at a point now where, no matter how good something is, I'm not going to kill myself and end up in the hole.
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