A Quote by Norman Lock

My fictional worlds were those of a fabulist, of an intellectual fantasist. I was the lawgiver, and the countries and inhabitants of my imagination were answerable to me. If I wished for a man to levitate; to enter another's story by rowboat or by intoning a sentence or by performing a shadow-puppet play; if I wanted him to become a swarm of intelligent elementary particles and enter the Internet and travel into the past and far into the future, it was so.
Of all the islands he'd visited, two stood out. The island of the past, he said, where the only time was past time and the inhabitants were bored and more or less happy, but where the weight of illusion was so great that the island sank a little deeper into the river every day. And the island of the future, where the only time was the future, and the inhabitants were planners and strivers, such strivers, said Ulises, that they were likely to end up devouring one another.
As actors, the magic is in the almost spiritual experience to really enter another world, to really enter a belief of being in another person's shoes and to really take on their experiences as someone else has written them and imagined them. It's kind of a sacred thing. It's a very spiritual experience. That in itself for me is the main thing that keeps me coming back to it. I like to travel, but for me, this is the greatest travel.
In order to enter into a real knowledge of your condition, consider it in this image: A man was cast by a tempest upon an unknown island, the inhabitants of which were in trouble to find their king, who was lost; and having a strong resemblance both in form and face to this king, he was taken for him, and acknowledged in this capacity by all the people.
We willingly enter fictional worlds where we cheer our heroes and cry for friends we never had.
In 1914, there were two countries in the world that required you to have a passport if you wanted to enter - Czarist Russia and the Ottomans. Anywhere else, you could come and go as you pleased.
I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive, perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to live.
That by him, and through him, and of him, the worlds are and were created and the inhabitants thereof are begotten sons and daughters unto God.
I feel like you are allowed in fiction to embrace imagination and try to enter other worlds. And I feel like you should push yourself to try to persuade your reader that you have the authority to engage with people who, you know, lived in the past, who live in the future, other genders, other places, other cultures.
Because of his capacity for abstract communications and language and his ability to enter in imagination into the lives of others, man is able to build organizations of a size and complexity far beyond those of the lower animals.
A reader's own imagination is a far more powerful form of CGI than anything any movie can provide because it's unique. In your own imagination, you can enter all sorts of worlds, and they are unique to you because no other reader will interpret a book the same way.
My siblings, along with my parents Chris and Kath, are the reason that I am successful. Whether I wanted to become an elementary school teacher, enter and win Alternative Miss Ireland, enroll to do a Ph.D., or visit the White House to speak about fashion and disability, they supported me.
The future exists only in our imagination it is a collective story waiting for our voices to express that can only happen when you and I are willing to enter the emptiness listening in the silence until we can begin to create a future we can befriend.
There are a lot of threats out there. Amazon can enter the travel market. Google could enter the accommodation space. But that is not something that we actively focus on.
To enter heaven is to become more human than you ever succeeded in being on earth; to enter hell is to be banished from humanity. What is cast (or casts itself) into hell is not a man: it is 'remains.'
I did my masters in elementary particles. But the foundations of elementary particles is quantum theory and there were too many conceptual problems around quantum theory that I couldn't live with. So I decided I was going to work on the foundations of quantum theory. That's what I did my Ph.D on.
Donald Trump is showing the intellectual rigor, and emotional maturity, of a second grader. That's hardly being age-ist. This is a man who, when accused by Hillary Clinton of being a Putin puppet, actually responded: "No puppet! No puppet! YOU'RE the puppet."
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