A Quote by Norman MacCaig
In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.
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There's a time where people were out holding posters in protest outside shows I was doing, and thankfully, we've moved past that. And a lot of country stations wouldn't play me. They were more conservative than I was.
... Hey, I didn't know you didn't like baloney." I went cold. "I don't like it. I never liked it." Soda just looked at me. "You used to eat it. That's why you wouldn't eat anything while you were sick. You kept saying you didn't like baloney, no matter what it was we were trying to get you to eat." "I don't like it," I repeated.
I had no idea when I moved to Nashville people just were songwriters. I had no idea. So I guess I was selling myself as a singer when I first moved here. But then right after I first moved, I started writing a lot.
Virginians were no more angels or philanthropists than people to the north or to the south of them. They were moved by their affections, their interest, and their resentments, just as humanity is moved today.
Billie Joe Armstrong of Green Day always says we were influences on him, because he does melodic but distorted, like what we were doing. The Ramones were doing it. We were doing it. The Buzzcocks, all those bands.
In shape they were like horrible toads, and moved in a succession of springs, but in size they were of an incredible bulk, larger than the largest elephant. We had never before seen them save at night, and indeed they are nocturnal animals save when disturbed in their lairs, as these had been. We now stood amazed at the sight, for their blotched and warty skins were of a curious fish-like iridescence, and the sunlight struck them with an ever-varying rainbow bloom as they moved.
I'm not saying that they were Einsteins; they were marginal students. But every ballplayer whoever touched me has moved up his station in life. And the players moved up my station.
My parents had no interest in spending a lot of time with me. They were busy doing what they were doing, but they were not obnoxious. They were fabulous.
It is we ourselves that we have to think about, no one else. That is the way the saints worked. They paid attention to what they were doing, and if others were attracted to them by their enterprise, why, well and good. But they looked to themselves first of all.
I always had trouble being proud of how they were using me in WCW. It was hard for me to be interested in what they were doing, and what they were doing with me was pretty pathetic.
I was a woman and younger. I started spending a lot of time in the mall doing a lot of qualitative research and really watching what consumers were doing. Were they gravitating towards the sales racks, or were they looking at the new fashions? Were they there to shop, or were they there to socialize?
We moved to a town that's predominately Caucasian, some Hispanic and one or two black families, and they do shrimping for a living. Here come hundreds of Vietnamese doing the same occupation. So there was a lot of tension because people were saying we were taking money, shrimp, fish or whatever it is.
I worked a lot on 'Conan' as an actor, and when I moved to New York, a lot of my friends were on the first staff of that show. I started doing bit parts, which was the first thing I'd done on camera in front of a live audience.
You saw a lot of guys, especially in the early '90s, whose acts were a pitch for a sitcom. A lot of them were very funny, but there's nothing worse than watching comedians or musicians who are up there and are doing something they're not interested in.
I think me leaving Detroit shaped my style. Me leaving, going to New York, going to L.A. and seeing what they were doing there. I think that inspired me more than what people were doing back home.
The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.
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