A Quote by Norman MacCaig
But you'd have a job to find many of my poems which would seem to be very influenced by a particular person.
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When I started reciting my own poems in public, I worried that it would seem too theatrical, but now I find recitation very natural, because it allows me to address audiences directly.
To lose somebody is to lose not only their person but all those modes and manifestations into which their person has flowed outwards; so that in losing a beloved one may find so many things, pictures, poems, melodies, places lost too: Dante, Avignon, a song of Shakespeare's, the Cornish sea.
When you think of things that influenced your life, Mother Goose influenced more people than almost any other thing, the rhythms of those poems. Everything after that was a bare imitation of some of those mysterious and materialistic poems.
The secret is to find what you love to do.I mean, I tell the students look for the job that you would take if you didn't need a job. I mean, it's that simple. And I was lucky enough to find it very early in life. And then the second thing is to have people around you that make feel good every day, and make you a better person than you otherwise would be.
Poems are taught as though the poet has put a secret key in his words and it is the reader's job to find it. Poems are not mystery novels.
I wanted many of the poems to have long legs. At first I was calling them clothespin poems, before I knew what I was doing. The lines seem pulled on either end, tight and taut against the wind.
I want to write poems which are very emotional, but I would have some hesitation in saying I want to write poems which are sentimental.
Oh, I've discarded a great many [poems]. And occasionally I've discarded and then resurrected. I would find a crumpled yellow ball of paper in the wastebasket, in the morning, and open it to see what the hell I'd been up to; and occasionally it was something that needed only a very slight change to be brought off, which I'd missed the day before.
I have heard many arguments which influenced my opinion, but never one which influenced my vote.
Sex almost always disappoints me in novels. Everything can be said or done now, and that's what I often find: everything, a feeling of generality or dispersal. But in my experience, true sex is so particular, so peculiar to the person who yearns for it. Only he or she, and no one else, would desire so very much that very person under those circumstances. In fiction, I miss that sense of terrific specificity.
I have noticed that agencies which are full of fun and ferment seem to create the best advertising. If you are not happy in advertising, for goodness sake find a job in which you would be happy. For as far as I know, we pass this way only once
I wrote those poems for myself, as a way of being a soldier here in this country. I didn't know the poems would travel. I didn't go to Lebanon until two years ago, but people told me that many Arabs had memorized these poems and translated them into Arabic.
For me, a big part of writing psychological thrillers is choosing crimes committed for motives which would only apply to a particular person in a particular situation; a unique, one-off motive that is born out of someone's particular range of psychological afflictions.
There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
Translations are very important these days, since an average person can only know 2-3 three languages. We have so many languages in India and poems are being written in as many of them.
Suppose one who had always continued blind be told by his guide that after he has advanced so many steps he shall come to the brink of a precipice, or be stopped by a wall; must not this to him seem very admirable and surprising? He cannot conceive how it is possible for mortals to frame such predictions as these, which to him would seem as strange and unaccountable as prophesy doth to others. Even they who are blessed with the visive faculty may (though familiarity make it less observed) find therein sufficient cause of admiration.
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