A Quote by Norman MacCaig
I only keep books that I like very much. Otherwise I'd throw them out.
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Like many a better one before me, I have gone down under the force of numbers, under the books and books and books that keep coming out and coming out and coming out, shoals of them, spates of them, flash floods of them, too blame many books, and no sign of an end.
The books I read I do enjoy, very much; otherwise I wouldn't read them. Most of them are for review, for the New York Review of Books, and substantial.
I'm much more willing to buy a novel electronically by someone I don't know. Because if halfway through I think, I don't really like this, I can just stop. I can't throw books out, even if I think they're crummy. I feel like I've got to give it to the library. I've got to loan it to somebody, or I keep it on my shelf. It's like a plant.
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation.
It's really important to keep sponsoring young people so the audience gets used to them and starts enjoying them. They're the only way your show can keep going, otherwise it's going to burn out in one or two years. Hopefully you're creating your headliners of the future.
You know those things that you throw the twigs into and it spits them out? That's what I do. The branches are like life, and I throw them into my head and some of it comes out as humor.
I'm a little like Roy Keane. Mentally I'm very strong. I'm very hungry. I'm very dedicated. You can't throw me off my stride. That's how I break people. I just don't care what they do. They can throw 180, 180 and 180 again and I'm like, 'so what?' They've got to keep it up to beat me.
Friendship is anything that you get something out of that is very, very important to you. And that's why there are those people who are so close to you that you don't know how you'd live without them. And they are the ones that, even if they do something terrible, you have to keep. Otherwise, you're just going to be lost without them.
Books can be passed around. They can be shared. A lot of people like seeing them in their houses. They are memories. People who don't understand books don't understand this. They learn from TV shows about organizing that you should get rid of the books that you aren't reading, but everyone who loves books believes the opposite. People who love books keep them around, like photos, to remind them of a great experience and so they can revisit and say, "Wow, this is a really great book."
Birth order effects are like those things that you think you see out of the corner of your eye but that disappear when you look at them closely. They do keep turning up but only because people keep looking for them and keep analyzing and reanalyzing their data until they find them.
But once you publish a book, doesn’t it by definition become the realm of public discourse? Otherwise, wouldn’t we just write books and print them out ourselves, and give them to specific people we felt comfortable giving them to–like gifts? Isn’t publishing sort of a social contract?
I consider as lovers of books not those who keep their books hidden in their store-chests and never handle them, but those who, by nightly as well as daily use thumb them, batter them, wear them out, who fill out all the margins with annotations of many kinds, and who prefer the marks of a fault they have erased to a neat copy full of faults.
I always give books. And I always ask for books. I think you should reward people sexually for getting you books. Don't send a thank-you note, repay them with sexual activity. If the book is rare or by your favorite author or one you didn't know about, reward them with the most perverted sex act you can think of. Otherwise, you can just make out.
The Americans only like things they can label, even if it kills them. Think of those poor Latin American writers. Some of them are very good. But the "magical realism" label has absolutely ruined them. The critics are like tourists who return from a trip saying they've "done" Machu Picchu: "Okay, we've done magical realism," so now we can throw it out.
I think that, for me, the great books like that, autobiographies, are great when the artists who write them throw caution to the wind and really put it out there as they saw it.
People keep saying that books will never die out. Well, books may never die out, but hundreds of thousands of individual writers will, and for them, it's as if books did die out.
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