A Quote by Norman Maclean
Probably most catastrophes end this way without an ending, the dead not even knowing how they died...,those who loved them forever questioning "this unnecessary death," and the rest of us tiring of this inconsolable catastrophe and turning to the next one.
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I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.
My parents deeply and truly loved each other, and if my mother hadn't died they would have been together forever. They were together for as much of forever as was given to them. They really loved my brother and me and were very good to us. It gave the model of how to have a happy marriage and family, but it also set the bar very high.
Grieving is a journey that teaches us how to love in a new way now that our loved one is no longer with us. Consciously remembering those who have died is the key that opens the hearts, that allows us to love them in new ways.
I, too, have felt that the war goes on and on. When my son, Ian, died at El Alamein-- side by side with... visitors offering their condolences, thinking to comfort me, said, "Life goes on." What nonsense, I thought, of course it doesn't. It's death that goes on; Ian is dead now and will be dead tomorrow and nexe year and forever. There's no end to that. But perhaps there will be an end to the sorrow of it.
one pities most those who loved, and still died. Only those who love, dread death.
Brutes are deprived of the high advantages which we have; but they have some which we have not. They have not our hopes, but theyare without our fears; they are subject like us to death, but without knowing it; even most of them are more attentive than we to self-preservation, and do not make so bad a use of their passions.
I don't expect to live forever, nor do I repine over that, but I am weak enough to want to be remembered forever. - Yet how few of those who have lived, even of those who have accomplished far more than I have, linger on in world memory for even a single century after death
A couple years ago, I felt like I was in a dead end, and I kept asking myself, "How do you get out of a dead end?" People would say the answer is, "You just turn around." But that was not the answer that I was going to accept. I realized, for me, that getting out of a dead end was literally the world turning upside down, and I had to fall out of the dead end. So you have to surrender, so I've really learned how to surrender, practice unconditional love. With my art, I've always put out things I love.
It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.
Without even knowing it, we are assaulted by a high note of urgency all the time. We end up pacing ourselves to the city rhythm whether or not it's our own. In time we even grow hard of hearing to the rest of the world. Like a violinist stuck next to the timpani, we may lose the ability to hear our own instrument.
Your mother died to save you. If there is one thing Voldemort cannot understand, it is love. Love as powerful as your mother's for you leaves it's own mark. To have been loved so deeply, even though the person who loved us is gone, will give us some protection forever.
Photography is linked with death in many different ways. The most immediate and explicit is the social practice of keeping photographs in memory of loved beings who are no longer alive. But there is another real death which each of us undergoes every day, as each day we draw nearer to our own death. Even when the person photographed is still living, that moment when she or he was has forever vanished.
In the end, the art of hunger can be described as an existential art. It is a way of looking death in the face, and by death I mean death as we live it today: without God, without hope of salvation. Death as the abrupt and absurd end of life
What each of us longs for the most is to be both fully known and fully loved. Miraculously, God feels the same way about us. God, too, wants to be fully known and fully loved. God wants this so much that He has promised to knock down every obstacle in the way, enduring even His own death, to be with us, to consummate this love.
Psychoanalysis is often about turning our ghosts into ancestors, even for patients who have not lost loved ones to death. We are often haunted by important relationships from the past that influence us unconsciously in the present. As we work them through, they go from haunting us to becoming simply part of our history. (243)
You can give without loving, but you can never love without giving. The great acts of love are done by those who are habitually performing small acts of kindness. We pardon to the extent that we love. Love is knowing that even when you are alone, you will never be lonely again. & great happiness of life is the conviction that we are loved. Loved for ourselves. & even loved in spite of ourselves.
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