A Quote by Norman Mailer
We divorced ourselves from the materials of the earth, the rock, the wood, the iron ore; we looked to new materials which were cooked in vats, long complex derivatives of urine which we called plastic. They had no odor of the living, ... their touch was alien to nature. ... [They proliferated] like the matastases of cancer cells.
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There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched anything. There's a feeling of pleasure that many of us have in materials that have some presence before us, like clay and wood and copper.
In some conditions, the architecture of textile is more relevant than in other conditions or the opacity of the material form. Pattern in the world of scarce materiality and a hybridity becomes a way of creating a new authenticity. Sometimes there is a certain kind of nobility of a group of materials literally of the earth, which had a certain nobility of presence, but is very different from the materials we have now.
Biologically inspired materials could revolutionize materials science. People looking at spider silk and abalone shells are looking for new ways to make materials better, cheaper, and with less toxic byproducts.
A real challenge that I've had with my company, Bayou With Love, is getting people to understand that using post-consumer materials does not mean that you are getting a "less than" product than one made with virgin materials. I use a lot of post-consumer plastic in Bayou's clothing. I use it in our bags, which are made from recycled plastics from the ocean.
We're all like little ants who scurry around with the materials that are at hand right now. Each generation finds new materials. Its just evolution, isn't it?
New materials are one of the great afflictions of contemporary art. Some artists confuse new materials with new ideas.
The physical fabric of the world had to be such as to enable that ten billion year preliminary evolution to produce the raw materials of life. Without it there would not have been the chemical materials to allow life to evolve here on earth.
Modern architecture does not mean the use of immature new materials; the main thing is to refine materials in a more human direction.
We've had a century in which we've allowed some industries to basically pollute the air, pollute the water, pollute the ground, pollute the rivers, and we've been trying sporadically to clean air acts and ways of regulating them. But we now are sitting in a world that's filled with all sorts of materials that we don't really know the impact of. It's not like they're necessarily all poisonous but it's odd to put all these materials into our environment and watch.
My family and I would never receive royalties on the revenue that my materials brought into the church; materials that were created on our own personal time.
On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials.
I think if terrorists had nuclear materials and found people to put a bomb together - both of which are possible - we would already have seen a nuclear explosion. But we have literally thousands of people around the world working their tails off and making a lot of sacrifices to contain nuclear materials. I particularly would like to compliment the Russians on this. In times of great economic distress, many of them could have made an awful lot of money if they had sold their expertise.
We are not in the business of iron ore. Whatever captive iron ore sources we have, we use it to make steel.
I love earth tones, jewel tones and everything that is natural. I also like natural materials like cottons, silks... I don't like synthetic. Even the wood we use has to be authentic.
Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world.
The most dangerous cancer cells are actually the ones that are more like stem cells, which have this ability to produce themselves over and over again. More and more cancer biologists say stem-cell-like cells in cancers are the most dangerous.
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