A Quote by Norman Mailer

Along with all else, Sandman is a comic strip for intellectuals, and I say it's about time. — © Norman Mailer
Along with all else, Sandman is a comic strip for intellectuals, and I say it's about time.
'Blade Runner' was a comic strip. It was a comic strip! It was a very dark comic strip. Comic metaphorically.
The comic strip is what I looked at, and it's another reason I did it. The comic strip, where animals would comment on human behaviour, interested me.
Everybody who has ever read Sandman knows exactly what the Sandman looks like, which is more than anybody who has ever read The Catcher in the Rye can say about Holden Caufield.
The joy of doing 'Sandman' was doing a comic and telling people, 'No, it has an end,' at a time when nobody thought you could actually get to the end and stop doing a comic that people were still buying just because you'd finished.
Charles Schultz is a really interesting case. He wrote that comic strip and drew it himself from beginning to end, and it's a work of genius. It's very simply drawn, but it has some really deep emotions that you don't expect in a silly-looking comic strip.
Sometimes people try to read into my strip and find out what my state of mind is. And I can say if I'm in a good mood, generally the comic strip starts out in a good mood, but the punchline is very negative and sour.
I tried to do a comic strip. I came close, and I met with Universal Press Syndicate in Kansas City, but ultimately, they did not go with my strip.
I wasn't intending to create a comic strip to begin with. So I think I wasn't aware that when the strip started, there had never been a woman's voice quite like this in the newspaper.
It's gratifying to hear that from people who care about comic art. I never know what to make of it when someone writes to say, "Calvin and Hobbes is the best strip in the paper. I like it even more than Nancy."
I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.
For a long time, I was under the impression that 'Terry and the Pirates' was the best comic strip in the United States.
It seems beyond the comprehension of people that someone can be born to draw comic strips, but I think I was. My ambition from earliest memory was to produce a daily comic strip.
From 'The Sandman' and 'Black Orchid' to 'Whatever Happened to the Caped Crusader?,' Neil Gaiman has provided some of the most memorable stories of the comic book industry.
I was a Marvel kid, and I would have to say that Spiderman is my all-time favorite character. As I got older, my tastes developed a little bit more, and I would follow certain writers; like, I really got into Grant Morrison. From the time I was 5, I was into comic books. From the time I learned how to read, it was all about comic books.
In a comic strip, you can suggest motion and time, but it's very crude compared to what an animator can do. I have a real awe for good animation.
You learn just by trying and experimenting. By the time I was 14, I had my own comic strip in the Kansas City paper.
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