A Quote by Norman Mailer
MIke Lee writes with honesty, penetration, wit and the ability to surprise the reader with an unexpected turn from time to time that enriches the experience.
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Nice writing isn't enough. It isn't enough to have smooth and pretty language. You have to surprise the reader frequently, you can't just be nice all the time. Provoke the reader. Astonish the reader. Writing that has no surprises is as bland as oatmeal. Surprise the reader with the unexpected verb or adjective. Use one startling adjective per page.
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, "No surprise for the writer, no surprise for the reader!"
The essay must be artistically rendered: You must keep the reader engaged, whether with wit, conflict, mischief, and/or yes, with honesty.
If it comes as a constant surprise each and every time something unexpected occurs, you're not only going to be miserable whenever you attempt something big, you're going to have a much harder time accepting it and moving on to attempts two, three, and four.
Knowledge is the ability to love, the ability to feel, the ability to probe the depths and the heights of life. It is the experience of the experiencer, and at the same time, it is beyond that.
I had a chance to work with Cain Velasquez, Mike Kyle and this was great. And I remember how Bob Cook all the time he did conditioning, yell all the time, 'You have to do better.' He pushed me all the time so I really appreciate him. It was a great experience for me.
The essence of the ludicrous consists in surprise,--in unexpected terms of feeling and explosions of thought,--often bringing dissimilar things together with a shock; as when some wit called Boyle, the celebrated philosopher, the father of chemistry and brother of the Earl of Cork.
One of the most powerful devices is to distort time, to go from human time to atomic time, geologic time. Sometimes you can actually accomplish that, with one unexpected word choice.
The writer who aims at producing the platitudes which are "not for an age, but for all time" has his reward in being unreadable inall ages.... The man who writes about himself and his own time is the only sort of man who writes about all people and about all time.
By wit we search divine aspect above,
By wit we learn what secrets science yields,
By wit we speak, by wit the mind is rul'd,
By wit we govern all our actions;
Wit is the loadstar of each human thought,
Wit is the tool by which all things are wrought.
Oh, I am heartily tired of hearing about what Lee is going to do. Some of you always seem to think he is suddenly going to turn a double somersault, and land in our rear and on both of our flanks at the same time. Go back to your command, and try to think what are we going to do ourselves, instead of what Lee is going to do.
A vital team characteristic is the ability to overcome adversity. Any team acquires experience and endurance as it learns to fight back. This in turn builds the kind of character which seldom crumbles at a time of crisis or testing.
I'm an avid reader myself, and what any one reader accesses at any one time is very powerful and personal to them. Clearly you can't even begin to touch that. A novel is a singular vision, and then a myriad of readers have their own experience of that.
I think Mike Gibbons was probably the greatest boxer that ever put a glove on. They called him The Wizard, The Phantom of the ring and he was that. I boxed with Mike about ten years and I never really hit him a hard punch during the time. Repeating again, Mike was one of the great boxers of the age.
My own time on earth has led me to believe in two powerful instruments that turn experience into love: holding and listening. For every time I have held or been held, every time I have listened or been listened to, experience burns like wood in that eternal fire, and I find myself in the presence of love. This has always been so.
Most of the time when I have met artists who have meant a lot to me, the experience has been well above expectation. People like Iggy, Lou Reed, Jerry Lee Lewis, Black Sabbath, Nick Cave, Hubert Selby Jr, Billy Gibbons, Al Pacino, John Lee Hooker, James Brown, Johnny Cash etc. have been really great to me. What strikes me is most of the time, the bigger the celeb/legend, the more polite and cool they are. It's the insecure ones who treat you like they're doing you a favor by shaking your hand.
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