A Quote by Norman Mailer
Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Holland, but then the summer ended and most of the painters left, and the long dingy undergarment of the gray New England winter, gray as the spirit of my mood, came down to visit.
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For me, the summer will be pure gray - mother-of-pearl gray, very pale gray. To me, this is the big statement for summer. Then we have light blue, light turquoise, lots of pink.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
Entertainment came out of this thing called a television, and it was gray. Most of the films that we saw at the cinema were black and white. It was a gray world. And music somehow was in color.
I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.
It was not until I was in my forties, in the fifth decade of my life, that the sense of place, the spirit of place, became of paramount importance to me. It was then that I began my travels, that I discovered, through photography, the quality of light, and that I gradually became able to paint the mood of place.
The '70s was a decade that was crammed with prominent women science fiction writers, and a lot of women made their debut in that decade or really came to prominence.
I bring a poofy gray down jacket with me wherever I go. It's meant for winter, but I use it most in the summer, when everyone cranks up the air-conditioning.
The summer lasted a long long time, like verse after verse of a ballad, but when it ended, it ended like a man falling dead in the street of heart trouble. One night, all in one night, severe winter came, a white horse of snow rolling over Bountiful, snorting and rolling in its meadows, its fields.
The 1890s was perhaps the most Gothic decade ever: 'Dracula,' 'The Picture of Dorian Gray' and 'The Time Machine,' not to mention 'Heart of Darkness' and 'The Interpretation of Dreams,' were all written between 1890 and 1899.
The years came and went, the children came and left. The worst of getting old is not tiredness and aches and pains, but that time rushes on so quickly, that in the end it doesn't seem to exist. It's Christmas and then it's Easter. It's a clear winter's day and then a hot summer's day. In between it's a vacuum.
It is not the high summer alone that is God's. The winter also is His. And into His winter He came to visit us. And all man's winters are His - the winter of our poverty, the winter of our sorrow, the winter of our unhappiness - even 'the winter of our discontent.
You can't segregate and humiliate people decade after decade without creating long-lasting injuries.
The most important thing that I think we've done this season is to show navy and gray in a very new way. Most men understand navy and gray as a navy blazer and a gray flannel trouser, but today, we're taking that very traditional color palette and putting it in a more modern shape.
When the Berlin Wall came down, my dad left to visit the U.S. He met my mom at this summer camp where they were both working, so I grew up between Washington Heights and Germany speaking two languages.
When the Spirit came to Moses, the plagues came upon Egypt, and he had power to destroy men's lives; when the Spirit came upon Elijah, fire came down from heaven; when the Spirit came upon Gideon, no man could stand before him; and when it came upon Joshua, he moved around the city of Jericho and the whole city fell into his hands; but when the Spirit came upon the Son of Man, He gave His life; He healed the broken-hearted.
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