A Quote by Norman Mailer

Sentimentality is the emotional promiscuity of those who have no sentiment. — © Norman Mailer
Sentimentality is the emotional promiscuity of those who have no sentiment.
I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.
Sentiment is the mightiest force in civilization; not sentimentality, but sentiment. Women will bring this into politics. Home, sweet home, is as powerful on the hustings as at the fireside.
Sentimentality - that's what we call the sentiment we don't share.
Sentimentality is the only sentiment that rubs you the wrong way.
Sentiment, crystallized, grows into sentimentality. It lost all spontaneity, which was the essence of feeling. It was dated--old-fashioned.
Promiscuity in men may cheapen love but sharpen thought. Promiscuity in women is illness, a leakage of identity.
It's because you're always fighting sentiment. You're fighting sentimentality all of the time because being a mother alerts you in such a primal way.
The two worst sins of bad taste in fiction are pornography and sentimentality. One is too much sex and the other too much sentiment.
If you're striving for strong emotion and strong sentiment, and you're authentic with it and honest with it, then you're on the right side of the line. But if you step into sentimentality, there is a false move or a false tone to it.
One would always want to think of oneself as being on the side of love, ready to recognize it and wish it well -but, when confronted with it in others, one so often resented it, questioned its true nature, secretly dismissed the particular instance as folly or promiscuity. Was it merely jealousy, or a reluctance to admit so noble and enviable a sentiment in anyone but oneself?
Every ambiguous, false, tearful, emotional exaggeration brings about that typically kitsch attitude which could be defined as "sentimentality."
For me, listening to Beethoven and Tchaikovsky in particular, there's an emotional aspect - very different kinds of emotional aspects from those two composers, nonetheless, very strong emotional aspects from both of those composers.
Sociopaths differ fairly dramatically in how their brains react to emotional words. An emotional word is love, hate, anger, mom, death, anything that we associate with an emotional reaction. We are wired to process those words more readily than neutral, nonemotional words. We are very emotional creatures. But sociopaths listen as evenly to emotional words as they do to lamp or book - there's no neurological difference.
In film, it's very important to not allow yourself to get sentimental, which, being British, I try to avoid. People sometimes regard sentimentality as emotion. It is not. Sentimentality is unearned emotion.
I don't think anybody in the entertainment industry or in politics is surprised by the fact that those worlds are rife with promiscuity and irresponsibility - certainly a lack of accountability.
I don't like mushiness. I'm a very emotional person but I hate sentimentality. I don't like great demonstrations of emotion. But as I'm getting older, I'm getting much more open about all that.
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