A Quote by Norman Pearlstine

Native advertising covers an awful lot of stuff. In many ways, it's just an extension of what in print had been called for years an advertorial. — © Norman Pearlstine
Native advertising covers an awful lot of stuff. In many ways, it's just an extension of what in print had been called for years an advertorial.
An awful lot of England is slowly eroding, in ways that I find really distressing, and an awful lot of it is the hedgerows... We're reaching the point where a lot of the English countryside looks just like Iowa - just kind of open space.
While in some ways I lack privilege, in other ways I have a ton of it. I have a lot of resources and power. And when I've been in uncomfortable situations, just as every woman, practically, in this industry has been, I've been a lot luckier and had more help.
I had been saying to myself for a good many years that I was really a writer and that I was in advertising temporarily.
Yes, there may be some convergence to what you see on a screen that's different from the way you will experience a magazine in your hand, but there are lots of ways you can signal differences. Where native advertising and these other things get tricky is when the consumer can't tell the difference between edit and advertising.
Advertising and content have always been bound together - in print, on television, and on the web. Sure, you can skip the ad - just flip the page, or press 'ffwd' on your DVR. But great advertising, as I've long argued, adds value to the content ecosystem, and has as much a right to be in the conversation as does the publisher and the consumer.
When I landed the first 900 at the XGames, it was just - it was a personal achievement. It was something that I have strived for for years and years and years, and in a lot of ways had given up on it. But I just didn't think of the resonance that would have.
Millennials don't want to be bombarded by ads. But what is so interesting to me, though, is how willingly they accept native content. Or native advertising - it's not even native content.
I had been coming to America very frequently for many, many years, so I had plenty of exposure - and maybe the best kind of exposure, because I think first impressions are very important. Maybe I notice stuff that is just subliminal to people who live here all the time.
Distinguish between the work and the job title. When I was leaving school in the early 1970s, many people wanted to be journalists, carrying out investigative reporting for print newspapers. Print newspapers may not exist in twenty years. But good thinking and good writing about issues that need to be reported and investigated will always be needed; but where this happens, what it is called, and who pays for it may be quite different than could have been envisioned by the great journalists of the past.
The point is that if a book that had been published three years ago started to sell twice as many all of a sudden it probably wouldn't even get no­ticed. People wouldn't be tracking it. The system has cleaned up its act an awful lot but the best-seller list system is not an entirely foolproof thing.
I was writing - at least beginning to write Boston Boy and there were a lot of holes in my so-called research. I didn't know the towns my mother and father came from in Russia. I didn't know the name of the clothing store I went to work for when I was 11 years old. I didn't know a lot of things. So I called for my FBI files, not expecting to have that stuff there, but I wanted to know what they had on me.But they did have the towns my mother and father lived in in Russia. They had the grocery store I worked in when I was 11 years old.
The Holy Grail of advertising has always been advertisement that people want to watch, which occasionally happens. You know, the Super Bowl, people sit there and watch the advertisements. Some print advertising is very beautiful.
I haven't seen a new football play since I was in high school. You have just so many holes in a line and you have eleven men playing, and there's only so many ways you can go through those holes, and those ways have been used for forty, fifty years.
I've had a blessed career, and that has been acknowledged in many ways over the years.
The simplest definition of advertising, and one that will probably meet the test of critical examination, is that advertising is selling in print.
Online advertising is increasingly only a fraction of what is being lost from print advertising, and it is under constant pressure.
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