A Quote by Norman Reedus

Before becoming an actor I kind of just wanted to paint and live somewhere and do something low-key and artistic. — © Norman Reedus
Before becoming an actor I kind of just wanted to paint and live somewhere and do something low-key and artistic.
My artistic process involves pens, gesso, acrylic paint, and markers, all on vellum. I use a window painter's technique and paint on the backside of my image before I mess with the front.
Key West, unfortunately, is becoming rather literary and artistic.
When I was young, I wanted to do something more low-key, like become a drummer in a rock band.
I'm just kind of private just because I grew up always with a camera in my face because of my father, and I was highly touted and ranked in high school. So I just like to be kind of low-key off the court.
In a personal way, to do with family and the father-son relationship, in a kind of artistic way with regard to him being an art student. I also studied the visual arts at Lancaster University. I then decided to become an actor as he was becoming a musician. And then as an actor/performer, we have similar sort of interests - music hall and that whole world. So, there's a lot that I felt connected with.
I come from a very small rural village in northern Germany, and being an actor never even seemed like a possibility. I thought you would have to live in a big city, or be discovered somewhere, or be born into an artistic family, which I certainly wasn't.
I had no interest in really becoming an actress or doing that kind of thing I just knew that I wanted to do something in making films.
My fantasy life was very full. Certainly when I was a kid, I probably wanted to be an actor because I wanted to be a princess, or something magical, and get to dress up magically, and have the kind of life that I hadn't been born into, with magic powers or whatever, and live this wonderful idealised life.
I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet.
One of the things I wanted to do after three, prolonged movies is to do something that was really, kind-of knee-jerk decisions, and artistic instincts and strip down the process to more of a guttural level, and make something that wasn't so manicured and polished; wasn't quite so developed and supported, and just run wild with it and see what happens with it.
Sometimes something intrigues me about particular sounds, how they work together, and I think "Okay, I've found something here; I'm going to take it somewhere." And sometimes just to find a name for that sound, whatever it is, ends up becoming a title of the piece or becoming part of the title.
I don't choose something unless I think I have a personal understanding and something I can offer. It's not always thematic. I wanted to do 'The Grinch' because I wanted to direct Jim Carrey creating that kind of comic fantasy character live. I just thought that would be a mind-blowing experience, and it creatively was.
Someone has asked me to paint Biblical pictures, and I say no, I'll not paint something that we know nothing about, might just as well paint something that will happen two thousand years hence.
Our kids are in a little band, and they like to play video games, and my wife and I do our best to live a low-key, non-Hollywood kind of life.
I feel like something I've wanted to do for a really long time, in a feature film or anything, is playing a rocker. Somewhere where I can be on a stage and have a guitar or a microphone and just kind of jam out.
Before I was a parent I was struck by Rilke, who, as you know, didn't go to his daughter's wedding because he was writing a poem that day. That was the ideal for artistic behavior in 1950. That's the way I wanted to live.
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