A Quote by Norman Reedus

I'm always taking pictures and travelling with a camera and have so many photos that I've done a book. — © Norman Reedus
I'm always taking pictures and travelling with a camera and have so many photos that I've done a book.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
I don't click pictures. People carry a camera with them while travelling, take pictures, keep them as memories, but I don't. I don't even have a camera.
I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot.
I love taking pictures. I'm always the one with the camera!
My dad was always taking photos of us at home, and even on set - he'd bring us along and stick us in the photos in the background. It was almost the beginning of acting for me, like, 'Hey, you go over there and play basketball in the background, and don't even think about the camera.'
What does it mean to go deeper? Taking pictures when you're more emotional or sorrowful, or having sex? I just want to have really boring snapshots - people just standing in front of a camera taking pictures with a smile.
My taking pictures means I'm taking a series of pictures which become an essay and then get extended into a book. That's what's exciting, to take an idea and work it through to completion.
I used to always love taking photos, but I would always give a camera away to someone else. Now I don't give the camera away anymore. It also takes a long time to develop a visual style, and I think that the things that I was imitating were people I love, like Judy Linn or Gerald Turner, and then it slowly started to become more myself.
I have always loved taking pictures. When I was young, I would carry a small camera with me on the sets.
I'm the sort of person who takes a camera to dinner or a nightclub because I enjoy taking pictures of people. I tweet all my pictures, which is bad.
You should always be taking pictures, if not with a camera then with your mind. Memories you capture on purpose are always more vivid than the ones you pick up by accident.
I always took pictures, but about five or six years ago, I started taking more behind the scenes at SNL, and now I have some 60,000 photos sitting on my laptop.
Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
<...> though he found that if you are stupid enough to bury a camera underground you won't be taking many pictures with it afterwards. Thus the story has no picture book for the period May 10, 1991 - January 7, 1992. But this is not important. It is the experiences, the memories, the great triumphant joy of living to the fullest extent in which real meaning is found. God it's great to be alive! Thank you. Thank you.
More people would recognise me in Kingston, but it's rare to go on the road and not get recognised by someone. The problem now is everyone has a camera in their pocket, on their cell phone - at the airport it's difficult to get from point A to point B without taking half an hour because there are so many people taking pictures.
I'm kind of selective of the people that I take photos of. Like, I don't take pictures of just my friends, but I do like taking pictures of just some of my close mates, especially out in L.A.
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