A Quote by Norman Rockwell
I used to sit in the studio with a copy of the (Saturday Evening) Post laid across my knees ... And then I'd conjure up a picture of myself as a famous illustrator and gloat over it, putting myself in various happy situations, surrounded by admiring females, deferred to by office flunkies at the magazines, wined and dined by the editor.
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Over on the Democratic side, Martin O'Malley recently spoke about the need for Wall Street reform and said that he isn't running for president to be quote, 'wined and dined' by executives. Then Chris Christie said, 'And I am also not running to be wined.'
One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.
I have wined and dined with kings and queens and I’ve slept in alleys and dined on pork and beans.
I remember my mom had a big collection of copies of Saturday Evening Post magazines, and that was really my introduction to those great illustrators.
Usually, an author writes a manuscript that is handed in to the editor. The editor will then work with an art director to find just the right illustrator for the job, and off they go. Many times, the illustrator and author never meet.
The live audience is a blind date. The camera is a hungry lover. One wants to be wined and dined and seduced and then decide where the evening will go. The other knows how it wants to be touched, wants it now and can damn well tell if you are lying about it. Both are fickle. Both feel good. Depends on your mood.
I was spurred by the fact that having worked for women's magazines myself as a journalist, if you go off and interview a female celebrity, I'd just go in and interview them like I'd interview any human being and talk about the things that interested me. And you'd come back, and you'd file your copy. And then my editor would read through my copy and go, why haven't you asked them if they want kids? And I'd be like, well, I don't know, I interviewed Aerosmith last week. And I didn't ask them that.
I stayed at 'Cosmo' well beyond my internship, moving up the ranks over some 15 years to become books editor, then brand director, then editor-at-large - editing everything from an excerpt of Gore Vidal's memoir to writing some of those juicy cover lines myself.
I don't look at myself as being famous. I look at myself as an athlete. If the money is there, I'd be happy, but I have to be happy within myself first.
I've wined and dined with kings and queens, and I've slept in the alley eating pork and beans.
Everyone over 50 should be issued every week with a wet fish in a plastic bag by the Post Office so that, whenever you see someone young and happy, you can hit them as hard as you can across the face.
If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous.
I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.
It's not that I don't want to become famous or that I'm obsessed by my work as an actress, but it's all about not limiting myself, such as putting myself in a little jail that I can escape from.
I find myself acting for an editor more, because there's a quick turnaround with television, so you want to try and seem like you're as frenetic as possible, while replicating your movement so you're giving the editor more opportunity to cut within the different takes. If you're so crazy that you're sitting in one take and standing in another, the editor can only choose one take or the other. But if you can wrangle yourself into the same spot over and over, then you give them more choices for you.
So I went out and bought myself a copy of the Writer and Artist Yearbook, bought lots of magazines and got on the phone and talked to editors about ideas for stories. Pretty soon I found myself hired to do interviews and articles and went off and did them.
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