A Quote by Norman Seeff
A photographic session is a joint, interpersonal exchange, a kind of creative encounter session at a high level of intensity. For me, photography is more a process of creating an experience than one of looking for pictures.
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I've been involved in cycling all my life and at a high level for 20 years. It consumes your every waking minute whether you are aware of it or not: your last training session, your next session, what you are eating next. It is a passion.
Our standards at Bayern are extremely high, with every training session at very high intensity.
During the last regular session and the most recent special session, measures that I see as little more than Band-Aids were applied to three health programs in the state.
An example of my average week would be the gym on Monday; Tuesday will be a technical session. I practice running and high jump on Thursday and then have another technical session at the weekend.
A yoga session is harder than a football practice easily for me. Probably in some ways just as intense, not from a physical standpoint of hitting ,but from a game, the intensity is the same.
Generating diverse ideas requires being clear about the kind of input needed and creating multiple ways for diverse team members to share their ideas (e.g. use more than just a brainstorming session).
We think of photography as pictures. And it is. But I think of photography as ideas. And do the pictures sustain your ideas or are they just good pictures? I want to have an experience in the world that is a deepening experience, that makes me feel alive and awake and conscious.
When I'm on the road, I'll break my exercise into a cardio session and a weights session.
I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience. With these abstract pictures, although the eye recognizes them as photographic rather than painted, the eye also tries to connect them to reality. There's always this association machine working in the brain, and that is why it is important to me that they are actually photographic and not painted.
In most of the stuff that I've done over the years as a sideman, I wasn't really a session musician, because to me, a session musician is a guy who makes his living in the studio, and I never really did that.
I make a prediction here and now, and, my friends, I want you to watch the proceedings of Congress in these coming weeks of this extra session, or of the next regular session, to see whether I am right or not.
Every session attended by the analyst must have no history and no future. What is 'known' about the patient is of no further consequence: it is either false or irrelevant. If it is 'known' by patient and analyst, it is obsolete....The only point of importance in any session is the unknown. Nothing must be allowed to distract from intuiting that. In any session, evolution takes place. Out of the darkness and formlessness something evolves.
Edgbaston is a ground where you have to think on your feet because it can vary so much from season to season or session to session.
I always feel like out of every session that I do, whether it's a record session or even a concert, I like to think that there was something in there that I didn't do before. That's my goal.
You don't want to be the boy leaving Chelsea, you want to train like every session is your last session because you know you always have to prove something to people.
Capitol Records were very keen for me to write and see how I got on; I think that is what defined my sound. The first session I had was with two young up-and-coming writers, Nick Atkinson and Tom Wilding, and I went into a session a bit nervous because I hadn't written that many songs before.
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