A Quote by Norman Spinrad

The thematic, psychological, and cultural concerns of a writer are more relevant than whatever literary mode he or she chooses to deal with in any given novel. — © Norman Spinrad
The thematic, psychological, and cultural concerns of a writer are more relevant than whatever literary mode he or she chooses to deal with in any given novel.
The new female is competent in all that she chooses. She chooses whatever her heart tells her. She can create a business, lead a country, drive a truck, hammer nails, deliver mail, or raise a family. She is at home in every social and physical environment. She can be a housewife, if she chooses. She can be anything else, too. She is intuitive and heart centered. She is all that a female has been, and more.
There is no sphere in which a human being can be supposed to act where one mode of reasoning will not, in every given instance, be more reasonable than any other mode. That mode the being is bound by every principle of justice to pursue.
Your interviews or blog posts or whatever are less supplements to your novel than part of it. I'm not private, but I believe in literary form - I'll use my life as material for art (I don't know how not to do this) and I'll use art as a way of exploring that passage of life into art and vice versa, but that's not the same thing as thinking that any of the details of my life are interesting or relevant on their own.
A female writer does definitely get more attention if she writes about male characters. It's true. It's considered somehow more literary, in the same way that it's more literary to write about supposedly male subjects, such as war. You're considered more seriously by the literary establishment.
I had literary interests my whole life. I decided at the age of five I was going to be a writer. So I had done a great deal of reading. I suppose I was more at home in Greenwich Village than, say, any of classmates from Warsaw High School. But in any case, it was an overwhelming experience for me. It took me some time to begin to assimilate it.
'War and Peace' holds a strange place in literary history, participating in the crowning of realism as a substantial and serious literary mode in America, even as the novel also contributed to the argument that historical fiction could be by nature dangerous, illegitimate, and inaccurate.
You just play what a writer writes, in terms of what a character chooses to do and how a character chooses to deal with their various relationships.
It's perceived as an accolade to be published as a 'literary' writer, but, actually, it's pompous and it's fake. Literary fiction is often nothing more than a genre in itself.
I decided early that I would be a writer when I grew up. That, I thought, was the profession that went with the kind of woman I wanted to become: one who is free to do whatever she chooses.
Raven-haired writer Emer Martin is giving a lunchtime reading from her fabulous new novel, Baby Zero. Emer Martin is a brilliant writer, very much the real deal. She tells me that every single Irish review of her new book has made passing reference to Cecelia Ahern. Weird, given that Emer is to chick-lit what Shane MacGowan is to sobriety.
I believe every woman has the right to any birth experience she wants, wherever she chooses and with whatever care provider she's comfortable. It's about doing your own due diligence and finding the best option for you.
I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
I met an internationally esteemed writer at a literary party being given in her honor. She was wearing a beautiful pink, flouncy, frilly dress. I complimented her on it. She said, 'Ach, it's my nightgown. I couldn't decide what else to wear.'
I loved Cookie [Mueller]. She was a much better writer than actress. She shouldn't have stuck with me in the beginning; she should have immediately become a writer. She would have had more of a chance.
Any education given by a group tends to socialize its members, but the quality and the value of the socialization depends upon the habits and aims of the group. Hence, once more, the need of a measure for the worth of any given mode of social life.
I think the more diversity that one has in his life, the happier he can be, as long as he is able to do whatever he chooses to do at that given time well.
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