A Quote by Norman Spinrad

I write in American slang. — © Norman Spinrad
I write in American slang.
In general, American slang is much better than English slang. The entire world picks up American slang.
I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.
There's an old little jingle: 'The chief use of slang is to show that you're one of the gang.' What that means is that every social group has its own linguistic bonding mechanism. If there's a group of lawyers, they have their own slang. If there's a group of doctors, they have their own slang, and so on.
Try and write straight English; never using slang except in dialogue and then only when unavoidable. Because all slang goes sour in a short time. I only use swear words, for example, that have lasted at least a thousand years for fear of getting stuff that will be simply timely and then go sour.
Slang is vigorous and apt. Probably most of our vital words were once slang.
In China, when you get to the airport everyone be talking in American slang.
The American has no language, he has a dialect, slang, provincialism, accent and so forth
Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
I've found that there are only two kinds that are any good: slang that has established itself in the language, and slang that you make up yourself. Everything else is apt to be passe before it gets into print.
Hit records create slang, and if you create slang, you get into a broader conversation level.
Slang has always moved this way. From Cockney rhyming slang to codes swapped among highwaymen, they're tribal badges of identity, bonding mechanisms designed to distinguish the initiated, and to keep strangers out.
I found a great book called 'Slang Through the Ages' by Jonathon Green. It's basically a thesaurus of historical slang, and had lots of great old uses.
It used to be that the highest ambition of American novelists was to write 'the Great American Novel,' that great white whale of American fiction that would encompass all the American experience in one great book.
The fact that slang is apt and forceful makes its use irresistibly tempting. Coarse or profane slang is beside the mark, but "flivver," "taxi," the "movies," "deadly" (meaning dull), "feeling fit," "feeling blue," "grafter," a "fake," "grouch," "hunch" and "right o!" are typical of words that it would make our spoken language stilted to exclude.
Since I cant write the greatest American novel, Im going to write the longest American novel.
The way to write American music is simple. All you have to do is be an American and then write any kind of music you wish.
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