A Quote by Norman Vincent Peale

Getting along with the gang in one place is not any harder than getting along in another.  It depends about 98 percent on your own behavior. — © Norman Vincent Peale
Getting along with the gang in one place is not any harder than getting along in another. It depends about 98 percent on your own behavior.
The capacity for getting along with our neighbor depends to a large extent on the capacity for getting along with ourselves. The self-respecting individual will try to be as tolerant of his neighbor's shortcomings as he is of his own.
Statesmanship is harder than politics. Politics is the art of getting along with people, whereas statesmanship is the art of getting along with politicians.
We've all seen great actors and actresses who are missing a certain chemistry. And it's not about getting along or not getting along.
A lot of people don't realize that about 98 percent of the running I put in is anything but glamorous: 2 percent joyful participation, 98 percent dedication! It's a tough formula. Getting out in the forest in the biting cold and the flattening heat, and putting in kilometer after kilometer.
'Better Than Home,' the song, is about getting out of your hiding place and having the courage to live as loud as possible. It is about feeling the life that has been given and has been waiting for you all along.
Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.
It's based around a Jewish family but it really is a universal theme about getting along and coming along.
The fact that 98 percent of women in [the U.S.] who are sexually experienced say they use birth control doesn't make sex any less sacred. It just means that they're getting to make choices about their lives.
Ninety percent of the art of living consists of getting along with people you cannot stand.
We Die Young is about gang violence. That was something that was happening in Seattle, something that kinda opened our eyes. It just seemed like things were getting out of hand. Incidents where kids were getting shot, and getting their tennis shoes ripped off their dead bodies. It just seems like these kids are dying at younger and younger ages and getting involved in gang activity.
It seems like your dreams are your own spirit, your own soul, telling you what you're meant to do and getting you psyched up with the idea of thinking that it was your idea all along.
It was a strange experience, making a love story and not getting along with your co-star in any way.
Getting along with men isn't what's truly important. The vital knowledge is how to get along with one man.
Im still getting more familiar with the plays and different things, but I think that will come along with getting more experience and getting to know the guys better.
My initial ideas are just a starting place. As a record goes along, it becomes more about making discoveries and getting excited about new songs.
Most of the actors that I've had the pleasure to work with are very easy to get along with. And whether they're getting paid or not getting paid doesn't necessarily make a difference. Most people are easy to work with and easy to get along with, but we mostly hear about the assholes who are really a pain in the ass, and we've all had our share of working with them.
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