A Quote by Norman Vincent Peale

Try to see the joyful side of life. One must see the pain of life with clear eyes, and help all he can; but there is also lots of joy, and on should see that, too. — © Norman Vincent Peale
Try to see the joyful side of life. One must see the pain of life with clear eyes, and help all he can; but there is also lots of joy, and on should see that, too.
Often, just explicitly acknowledging how the other side must see things can help them open up to see your side and can help both parties achieve a fair and constructive outcome.
You see misery, you see misfortune, you see pain, you see suffering. It's all part of the fatalistic way of looking at life.
When the record of any human life is set down, there are three pairs of eyes who see it in a different light. There is the life as I see it. as others see it, and as God sees it.
I'm not a man who constantly thinks up jokes. But I think it's very important to be able to see the funny side of life and its joyful dimension and not to take everything too tragically. I'd also say it's necessary for my ministry. A writer once said that angels can fly because they don't take themselves too seriously. Maybe we could also fly a bit if we didn't think we were so important.
To see life. To see the world. To watch the faces of the poor, and the gestures of the proud. To see strange things. Machines, armies, multitudes, and shadows in the jungle. To see, and to take pleasure in seeing. To see and be instructed. To see and be amazed. (Describing the powers of photography; written for the launch of LIFE Magazine, 1936.)
If your dominant intent is to feel joy while you are doing the work, your triad of intentions - freedom, growth and joy - will come quickly and easily into alignment. See your "career" as one of creating a joyful life experience. You are not a creator of things or a regurgitator of what someone else has created or a gatherer of stuff. You are a creator, and the subject of your creation is your joyful life experience. That is your mission. That is your quest. That is why you are here.
You should see ballerinas' feet. They don't have nails. You see beauty, but it's unbelievable pain - with a 40-year pension! That's it, and then life is really finished.
Joy is not a constant. It comes to us in moments - often ordinary moments. Sometimes we miss out on the bursts of joy because we're too busy chasing down the extraordinary moments. Other times we're so afraid of the dark we don't dare let ourselves enjoy the light. A joyful life is not a floodlight of joy. That would eventually become unbearable. I believe a joyful life is made up of joyful moments gracefully strung together by trust, gratitude and inspiration
Helping, fixing, and serving represent three different ways of seeing life. When you help, you see life as weak. when you fix, you see life as broken. When you serve, you see life as whole. Fixing and helping may be the work of the ego, and service the work of the soul.
I am in awe of the things you've been put through and the fact you can still light up a room when you walk in. When I look at you I see life. I see joy. I see my future.
This ongoing coexistence which makes life sensational. The eyes have this ability to flip around what they see from one second to another, to see something as an object, and then as a design. That's really liberating, and I try to convey that in my work, that your eyes are free and you are free to use them.
The eyes that see the soul are different from the eyes that see the self. We see soul when we are in the mystery. We see self when we are in the events. The coach must have eyes for both.
it's way too early for him to be talking anyhow but I see in his eyes something and I see in his eyes a voice and I see in his eyes a whole new set of words
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
I see, in this life, the hardship many suffer. I see the joy that music can give. How we deal with all this is part of a preparation for the next life.
The foolish ofttimes teach the wise: I strain too much this string of life, belike, Meaning to make such music as shall save. Mine eyes are dim now that they see the truth, My strength is waned now that my need is most; Would that I had such help as man must have, For I shall die, whose life was all men's hope.
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