A Quote by Normani Kordei
I remember being young in the backseat when my grandma would take me to school, and I would be literally singing and belting out Tina Turner at 3 years old.
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I literally would go to see Tina Turner any opportunity I had because being in the presence of Tina Turner was like being in the presence of transformative energy, and feminist transformative energy. I remember thinking to myself, whatever this is, it's revolution. Whatever this is, it's change embodied in a woman.
I love Tina Turner. I'm one of Tina Turner's biggest fans. Tina Turner was a big influence on me to become a singer. A role model and in a way she gave me back my confidence in choosing my material.
If I'm on form and I'm not being bothered too much by mental problems or whatever, I can whip out something good. That's why I've done quite a few overdubs for Tina Turner and things like that, because even before she made this comeback I said yes to her, just because I love Tina Turner.
I'm a little Jewish girl from Long Island, but when I listened to Tina Turner, I pictured myself in a mini-dress, dancing like Tina Turner. It's inevitable.
My family immigrated from Korea when I was four years old, and when I started school, I didn't speak English. I remember that other kids would blame everything bad that happened in kindergarten on me - I spent a lot of time "in the corner" because I literally didn't have the words to explain that it wasn't me!
I started singing in pubs and clubs around Belfast when I was 10. My dad is a musician, and he took me 'round; I impersonated Tina Turner and Shirley Bassey, and the crowd couldn't believe what was coming out of this little girl.
My family has always been very close. Ever since I was a kid, everybody was always together, including my grandma. In the mornings, my mom would work, and my grandma would help me get ready and would walk me to school. We were all so close to her.
The angels started visiting and helping me as far back as I can remember. I was lonely a lot in my childhood and the angels would come and comfort me, and help me to feel better, and at the same time they would also take me to places. I literally mean they would take me on a journey and tell me things.
And I never forgot this as long as I've ever performed, no matter how crap I had felt before I went on stage. I just remember Tina Turner going up there, singing her heart out for everybody, and meantime she had a 102-degree fever and she was feeling terrible.
He who would pass his declining years with honor and comfort, should, when young, consider that he may one day become old, and remember when he is old, that he has once been young.
When we talk about my music, it's a cross between Tina Turner, Alanis Morrisette, and Diana Ross. It's the glamour and the showiness of Diana Ross; the ferociousness and pain of Tina Turner; and the vocals of Alanis.
My mother, Betty, was an entertainer - she opened up for James Brown, Ike and Tina Turner - and I had an uncle who would work as a chef in a restaurant, 6-foot-3 or 6-foot-4. I was young, so he could have been shorter, but in my mind, that's how tall he was.
I was a really sick kid. I developed epilepsy when I was eight years old, and I would have violent seizures, and I would - literally, I couldn't get out of bed.
I remember being out in the street, singing 'Forever And Ever' at the top of my voice at five years old.
The idea of travelling all over the world singing the same songs sounds like hell. How people like Tina Turner still do it with enthusiasm is beyond me.
I was pretty young. I guess I was in high school, so I was probably 13 years old. It was crazy. I remember it very vividly. I remember - it was actually kind of horrifying, because one of my friends - we smoked out of a bong, and one of my friends - this was so stupid - he didn't want to bring - it was after school on a Friday, and he didn't - we smoked weed in this park called the Ravine that was across the street from my high school.
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