A Quote by Northrop Frye
We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us.
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The twentieth-century artist who uses symbols is alienated because the system of symbols is a private one. After you have dealt with the symbols you are still private, you are still lonely, because you are not sure anyone will understand it except yourself. The ransom of privacy is that you are alone.
There is a thinking in primordial images, in symbols which are older than the historical man, which are inborn in him from the earliest times, eternally living, outlasting all generations, still make up the groundwork of the human psyche. It is only possible to live the fullest life when we are in harmony with these symbols; wisdom is a return to them.
We still have our larynx, we still have our minds and we still have our consciousness. We still have this gift to make things with words and images and get outside these preordained tropes and ways of thinking and the master narratives - what's handed to us.
God who created us has granted us the faculty of speech that we might disclose the counsels of our hearts to one another and that, since we possess our human nature in common, each of us might share his thoughts with his neighbor, bringing them forth from the secret recesses of the heart as from a treasury.
In a world where there are no longer books we have almost all of us read, the movies we have almost all of us seen are perhaps the richest cultural bond we have. They go on haunting us for years the way our dreams go on haunting us. In a way they are our dreams. The best of them remind us of human truths that would not seem as true without them. They help to remind us that we are all of us humans together.
Cameras are simple tools designed to capture images. Images that tell us more about ourselves than we realize. They remind us of the long journey we’ve taken. The loved ones who traveled alongside of us. Those we lost along the way. And those waiting for us on the road ahead.
All the wants which disturb human life, which make us uneasy to ourselves, quarrelsome with others, and unthankful to God, which weary us in vain labors and foolish anxieties, which carry us from project to project, from place to place in a poor pursuit of we don't know what, are the wants which neither God, nor nature, nor reason hath subjected us to, but are solely infused into us by pride, envy, ambition, and covetousness.
In solitude we realize that nothing human is alien to us.
Symbols are specific acts or figures, while myths develop and elaborate these symbols into a story which contains characters and several episodes. The myth is thus more inclusive. But both symbol and myth have the same function psychologically; they are man's way of expressing the quintessence of his experience - his way of seeing his life, his self-image and his relations to the world of his fellow men and of nature - in a total figure which at the same moment carries the vital meaning of this experience.
We only have to look around us to see how complexity and psychic 'temperature' are still rising: and rising no longer on the scale of the individual but now on that of the planet. This indication is so familiar to us that we cannot but recognize the objective, experiential, reality of a transformation of the planet 'as a whole.'
but all the things Science had promised us hadn't come to pass. Disease was still a problem. Starvation was still a problem. Violence and crime and war were still problems. In spite of the advance of technology, things just hadn't changed the way everyone had hoped and thought they would.
God uses the tension, complexity, and challenge of doing His kingdom work to transform us into champions.
The devil personifies not the nature that is around us but the nature that is within us- the infinitely ferocious and cunning prehuman creature that is still within us, sealed in the subconscious cellars of the psyche.
Digital books are still painfully ugly and weirdly irritating to interact with. They look like copies of paper, but they can't be designed or typeset in the same way as paper, and however splendid the cover images may look on a hi-res screen, they're still images rather than physical things.
Whatever does not spring from a man's free choice, or is only the result of instruction and guidance, does not enter into his very being, but still remains alien to his true nature; he does not perform it with truly human energies, but merely with mechanical exactness.
I believe human beings mark a threshold in the development of the planet, of course, but it is only part of the picture. What Big History can do is show us the nature of our complexity and fragility and the dangers that face us, but it can also show us our power, with collective learning.
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