A Quote by Norton Simon
If the picture speaks to me, if it tells me something about myself, then I want it. Then I have to have it.
Related Quotes
I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.
I tried to think of a witty play on Every picture tells a thousand words, but then the whole word/picture thing collapsed on me.
I'm actually kinda quiet off stage, a lotta people don't realize that. I was at a dinner party recently, a bunch of people that I don't know, one guy talking plenty for everybody. "Me myself right and then I and then myself and mee, me, I couldn't tell this one about I cause I was talking about myself and Me- Meee- Mee- Me- Me!" Beware the Me monster.
I don't have an exact picture of where I aim to see myself, but I want to do something which will be an example for everyone. If anyone is giving a reference for good work, then they should think of me.
I believe [in God], and then there are times when I don't, because the nature of the universe tells me that I'm a fool to believe in something greater than myself. And then there are times when I'm absolutely in awe of the greatness of God, or whatever name you want to attach to whatever it is that's controlling our lives.
If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
I'm at the point in my career now, where I can take a bit of time to find exactly what roles are that I want to do and not work myself into a corner. I love acting and I love who I'm becoming, as I evolve as a human being. My work is an important part of me, which may or may not be healthy, so I need to do things that I love. I want to tell interesting stories, discover things about myself, and other people. The only way to do that is to not take jobs that feel repetitive or boring to me because then you're stuck doing that job instead of finding the thing that speaks to you.
I consider myself something of a self-taught anthropologist. I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
I've always been interested in visualizing something, whether it's a memory or an idea you want to be true. I am a big believer in that. I'm constantly thinking of that. If I can't picture something, then it doesn't make sense to me.
When I sat down to write I just felt like a geek writing about myself. And then it dawned on me, just because of the way I am, I can't stop talking, and part of the problem is that anything that gets said reminds me of something that happened to me one time, and invariably I cut people off and talk about myself.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.
Reading about myself on public platforms makes me uncomfortable. I don't like it. I read other people's interviews or articles, but when it comes to myself, if I see something about myself then I immediately turn over the page.
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
I am utterly against any kind of guilt. Remember it always: if you start feeling guilty about something around me, then you are doing it on your own, then you are still carrying the voices of your parents, the priests within you; you have not yet heard me, you have not yet listened to me. I want you to be totally free of all guilt.
Basically, we've grown up very focused on the institution. The institution tells me what to do. It tells me where to go. It tells me what my career path is, and then I, sort of, attach my own personal desires, my own personal interests. I think we're living in a time where we're going to have to change - to put people in the center.
Related Authors
Ferruccio Lamborghini Quotes
Italian
Industrialist
Henry Flagler Quotes
American
Industrialist
Jamsetji Tata Quotes
Indian
Industrialist
Lawrence Dale Bell Quotes
American
Industrialist
Masaru Ibuka Quotes
Japanese
Industrialist
Philip Danforth Armour Quotes
American
Industrialist
Pierre Berge Quotes
French
Industrialist
Will Keith Kellogg Quotes
American
Industrialist
William Wrigley, Jr. Quotes
American
Industrialist