A Quote by Novala Takemoto

How many people could embrace such disturbing imagery? — © Novala Takemoto
How many people could embrace such disturbing imagery?
'The Infinities' is a shortish book but densely loaded with Nabokovian slyness, gorgeous imagery, and disturbing insights into what it means to be mortal.
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
But the beginning of things, of a world especially, is necessarily vague, chaotic, and exceedingly disturbing. How few of us ever emerge from such beginning! How many souls perish in its tumult! The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
I know that in some ways I operate from a kind of antiquated interest in imagery, while many contemporary poets are not so interested in imagery. I think part of it is my training, and just my visual sense of things.
It's also reflective of a young person's religion or faith in that it's highly charged with sacramental imagery and with country imagery, because I was in the seminary for so many years in the country.
And so, when I was a young writer I always worked hard on imagery, and I knew that the roots of imagery were the senses - and that if my readers could feel, taste and see what I was talking about, I would be able to tell them a story.
I'm uncertain, with horror fans, when is disturbing just disturbing, and when is it fun disturbing?
'Eraserhead' is a weird, horrible nightmare, and it doesn't narratively make sense. Stuff's happening, but you honestly feel like you're in a nightmare, and it has such disturbing imagery that it stays with you forever once you've seen it.
What is astonishing about the social history of the Vietnam war is not how many people avoided it, but how many could not and did not.
You could put me on a stage in front of 100 people, and I could do a tap dance, but one-on-one was really difficult for me. And it took me most of my life to learn how to work with that anxiety, to embrace and be comfortable with it.
I have no arguments to defend how brutal and disturbing a ritual the corrida is. Like all tragedies, no matter the beauty created, there are no happy endings. If it is indeed an art form, bullfighting is the most disturbing I have ever witnessed.
But the beginning of things, of a world especially, is necessarily vague, tangled, chaotic, and exceedingly disturbing. How few of us ever emerge from such beginning! How many souls perish in its tumult!
The music video director really wanted to incorporate the imagery of guns into 'Nega Dola' because the lyrics are very aggressive. It kind of portrayed a very strong image. So that's how we connected weapons and the imagery of a dangerous atmosphere.
I've always thought of myself as a reporter. When people ask why I don't stop writing, I say, `Look at what's happening in this world. Every day there's something exciting or disturbing to write about.’ With all that's going on, how could I stop?
Growing up, my father was never interested in how many goals I scored, how many passes I made, but only in how many mistakes I made, and how I could be more efficient.
I never was a person that wanted that life...I'm a leader not a follower. I don't care what they say, or what they're doing or what they're wearing. Go ahead, cos come Judgement Day, all of that won't matter. How many people did you help. How many people did you talk to. How many people did you try to encourage. How many people did you bring to God. That's what's gon' matter.
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