A Quote by Novella Carpenter
You have to make people understand that things cost something. Otherwise it seems like they have no value. I can't just be giving away rabbits. No. It costs five bucks, so make it work for you.
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Man, them engagement rings, boy, they cost a lot. I was looking at 'em. Cost like a thousand bucks, two thousand bucks, y'know. Three thousand bucks. Something like that- four thousand bucks. Big number divisible by a thousand, anyways.
We see a lot of feature-driven product design in which the cost of features is not properly accounted. Features can have a negative value to customers because they make the products more difficult to understand and use. We are finding that people like products that just work. It turns out that designs that just work are much harder to produce that designs that assemble long lists of features.
It's really easy to make a movie that five people understand. It's really hard to make something that a lot of people understand and yet is not obvious, still has subtlety and ambiguity, and leaves you with something to do as a viewer.
The costs of an ignorance of science are nor just practical ones like misbegotten policies, forgone cures, and a unilateral disarmament in national competitiveness. There is a moral cost as well. It is an astonishing fact about our species that we understand so much about the history of the universe. the forces that make it tick, the stuff it's made of; the origin of living things, and the machinery of life. A failure to nurture this knowledge shows a philistine indifference to the magnificent achievements humanity is capable of; like allowing a great work of art to molder in a warehouse.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
If you are someone like Jeff Koons, and you have to work out how to make a big chrome heart or something, then there are lots of people and a big production involved. The money is more natural somehow. For me, I am just on my own in the studio, trying to make things work. One thing is sure: it doesn't make painting any easier.
Music needs to have a real sacred setting for people to understand it. You've got to start things off with friends who are like-minded or even strangers that are like-minded. Sending your music to established artists or labels or magazine, I mean there is something to be said for tenacity, for trying to pursue recognition that way, but it just doesn't make sense for the best work. And if you do make an amazing work, it's sometimes not the best way to be heard. You have to get on a sacred space, like a stage, and do your testifying that way.
I want to incite people to loosen their oppression by giving them something to work with, to build on. They shouldn't be frightened of creating themselves - that's why I make things very open, with things for people to do.
We have an industrial base - one that, if made to take orders rather than being allowed in the vacuum of leadership to create them, if enabled by the elimination of cost-plus contracting to produce and achieve rather than waste and receive, could make something worth the cost rather than making work that costs us our dreams.
If you don't like the President, it costs you 90 bucks to fly to Washington to picket. If you don't like the governor, it costs you 60 bucks to fly to Albany to picket. If you don't like me - 90 cents.
The companies that provide debt, what do you think their goal is? Is their goal for you to fully understand the cost of your debt? No. So they're basically creating these approaches to make you feel like it is incredibly cheap or just to think about the cost per day rather the cost per year or cost for a lifetime. So debt is very simple mistake.
I think that people don't make the most of their lives. So, you know, for me, it seems like it's the beginning of me rattling the cage, of making some people nervous. And people are strategically trying to do things to mute my voice in some way or make me look like I'm a lunatic or pinpoint the inaccuracies in my grammar to somehow take away from the overall message of what I'm saying.
I like to just make things... If I have the TV on, I'm not just going to sit there. I want to do something with my hands; I've always got a project. Or I get a small group of people over, and I say, 'Let's make these things today.'
We have to fight for something. It has to cost us. Our lives, our faith, have to cost us something; otherwise we're left to question its value.
It seems like there's a lot of people who just do not understand satire. They think it's weird. There's people who just don't understand you portray something or just explore a character, it means you're condoning it, saying this is the way to live.
I've given up trying to understand what people think about me. It seems like a lot of people don't like the music we make and don't know me, or something.
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