A Quote by Ntozake Shange
I had - there were three strokes, and I lost my ability to read and write and speak, and it really put me by the wayside for a number of years.
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I lost the power to write and I had to sort of relearn how to read and write to a certain extent and speak fluently.
I would say, number one, don't worry about getting published. Just write. Number two, just write. Three is make sure you read.
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I had a horrible heart attack and still have symptoms of that sometimes. Then cancer, which is in remission. But the stroke is the hardest thing because I just lost my ability to speak and to write.
At that point I ought to have gone away, but a strange sensation rose up in me, a sort of defiance of fate, a desire to challenge it, to put out my tongue at it. I laid down the largest stake allowe-four thousand gulden-and lost it. Then, getting hot, I pulled out all I had left, staked it on the same number, and lost again, after which I walked away from the table as though I were stunned. I could not even grasp what had happened to me.
I had the fortune or misfortune to learn how to read fluently starting at the age of three. So I had read maybe 150 books by the time I hit 1st grade. And I already knew that the teachers were lying to me.
The guys that write Once Upon a Time were major writers on Lost, and we had lunch when I started on OUAT and the first thing I said to them was, "I spent five years on Lost, you have to tell me, was my character good or bad?" They looked at me and said, "We have no idea." That's why you have to make your own backstory. I decided Widmore was the evilest of the evil, but in the end, not even the writers knew.
I had tried writing novels for many years, and they always escaped me. For a long time, I thought, 'It's just not in me to write a novel. It's not something I'm able to do.' It seemed like everything I wrote naturally ended at the bottom of page three. A picture book, three pages; an essay, three pages.
It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.
No one in this world, so far as I know--and I have searched the records for years, and employed agents to help me--has ever lost money by underestimating the intelligence of the great masses of the plain people. Nor has any one ever lost public office thereby. The mistake that is made always runs the other way. Because the plain people are able to speak and understand, and even, in many cases, to read and write, it is assumed that they have ideas in their heads, and an appetite for more. This assumption is folly. They dislike ideas, for ideas make them uncomfortable.
The time came where I was able to write an original screenplay [Allied], and it would be read and noticed. I had a meeting with Brad [Pitt], just around the time that he was making World War Z. I basically told him the story and said, "This is what I want to do," and he really responded, so that helped me put the thing together and write it.
After I had been working as a cap maker for three years it began to dawn on me that we girls needed an organization. The men had organized already, and had gained some advantages, but the bosses had lost nothing, as they took it out on us.
Philip Larkin didn't write for several years before his life ended. And when he was asked why he didn't write, he said the muse deserted him. And when I read that, it really had a profound effect upon me, sort of scared me. So that's why I think I have no right to assume that some thought is going to come... But I think, in my imagination, if it is it, there will probably be something else I'm interested in.
I had a number of great teachers and the ones that really were the strongest influences on me were women. They were really, really smart and interesting women.
I moved to New York when I was eight years old, in 1978. I grew up in Manhattan. I couldn't speak any English, and I had dyslexia, so it took me many years before I could read.
Cisco never had a red quarter. Never. Took us three years to get funding, and in those three years, we were never in the red, and that was because we had two products to sell. They were not sexy or cool, but we had enough of a market that we could generate enough of a cash stream to grow the company.
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