A Quote by Ntozake Shange
Multiculturalism is a white people joke.
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The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
The first rule of multiculturalism is that you can't talk about multiculturalism.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I just want to say that the multiculturalism - and especially the cultural relativism which is even worse than multiculturalism, the concept that all cultures are equal - is the worst recipe for any society.
The fact that 'Mom' is not joke, joke, joke - and is investing in these characters and their lives, things that really happen to people - I think it's resonating, and that's why people are tuning into it and not just dismissing it as a multi-cam sitcom.
Multiculturalism isn't just a buzzword; it's not just something to debate - I am multiculturalism.
It's when I make a joke about Indian people and then a white person comes up to me and says, "That's wrong. You should not talk about Indian people," and the Indian people are over in the audience like, "I thought that joke was hilarious." That is so weird. Then why are you getting mad? You're burning unnecessary calories. You're getting made for the sake of getting mad. I don't understand it.
Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
I can honestly say that in my time in America, I have not encountered any racism. When Jim Thorpe and I make fun of each other on the range, or even when a white player makes a joke about my color, I take it as what it is-a joke-and give it back accordingly.
There's a joke that I do where I make fun of myself for being bow-legged, and I compare myself to a camel and how a camel walks and sits, and that has become a joke that people - when I deliver that joke, people are in tears.
People try to put ownership on things: 'That's mine, that's my joke.' No such thing. Like if you tripped or stumbled and people go, 'Oh, that's Charlie Chaplin.' You know what I mean? You can't own a joke. You can be the guy that tells it the best, but you can't own a joke. Nowhere can you own a laugh.
I don't see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Feminists must denounce the use of white insecurity - whether in relation to white womanhood, white neighborhoods, white politics, or white wealth - to justify the brutal assaults against black people of all genders.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
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