A Quote by Ntozake Shange
It still amazes and fascinates me that women of color have kept my work alive for these many generations.
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I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
Fault lines run along color lines in American public life, and the women's movement is no exception. Over the years, feminism has become more inclusive but there is still hard work to be done to include LGBT women and communities of color.
Fault lines run along color lines in American public life, and the women’s movement is no exception. Over the years, feminism has become more inclusive but there is still hard work to be done to include LGBT women and communities of color.
...they told me of color, that it was an illusion of the eye, an event in the perceiver's mind, not in the object; they told me that color had no reality; indeed, they told me that color did not inhere in a physical body any more than pain was in a needle. And then they imprisoned me in darkness; and though there was no color there, I still was black, and they still were white; and for that, they bound and gagged me.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
There still aren't enough[ roles for women of color]. And I'd say that's the case, not only for African-American women, but for all women in the Hollywood game. It's just slim pickings, and a very challenging time for us. I think that's why more of us need to work our way behind the camera in order to create roles that really illuminate who women are. We still have room for growth in that area, without a doubt.
For reasons of national security and out of consideration for some people still alive I have omitted certain material. Some of this material cannot be made available for many years, perhaps for many generations.
When I first started out in comics they would put me on these Women of Marvel panels, and these young women would come up to me and say, "I really want to write comics but I don't know if I can because I'm told that it's just for guys." I would say, "That's bullshit. That's absolute bullshit. Look at me!" But the one area where we still need to work on is that we need more women of color. That's not common thing yet.
What fascinates me is that when we look at the history of women in politics, so frequently the women who get the farthest are the women who are quite conservative in their political views.
As for major obstacles keeping young Latinos from becoming filmmakers, I think our communities are still coming into their identities as storytellers. It's such an important identity to reclaim - it's how our ancestors kept our cultures alive. But a long history of silencing, invisibility, and marginalization has kept generations of Latinos from believing in themselves, from seeing themselves as agents of their own lives. I think there needs to be a focus on this aspect to help cultivate young Latinas to see themselves as cultural producers and defenders.
The youngster in me is still alive and kicking. I was infected by music at a very young age, so it's always kept me younger than springtime.
The theater has kept me alive, and it's allowed me to work at my craft.
There are many, many different kinds of intersectional exclusions - not just black women but other women of color. Not just people of color, but people with disabilities. Immigrants. LGBTQ people. Indigenous people.
It amazes me, and I know the wind will surely someday blow it all away It amazes me, and I'm so very grateful that You made the world this way
I think television is one of the last real bastions of the white beauty standard, but still in many industries the workers can be replaced by someone who's willing to play the game or who looks like the person in charge. And this is a problem for all women, not just women of color.
With all its variety and liveliness, color acts in the work of art as blood does as it circulates through our bodies. Color is what keeps the painting alive and moving.
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