A Quote by Nuno Espirito Santo

We must believe we can score in every moment - at the beginning, the middle, and the end of the game. — © Nuno Espirito Santo
We must believe we can score in every moment - at the beginning, the middle, and the end of the game.
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
I mean, if I could score 40 every game, then I would score 40 every game. But I think I cannot score 40 every game, so I'm gonna pass a little bit, too.
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
It is a well known phenomenon that the same amateur who can conduct the middle game quite creditably, is usually perfectly helpless in the end game. One of the principal requisites of good chess is the ability to treat both the middle and end game equally well.
I used my daughter's crayons for each main character. One end of the wallpaper was the beginning of the story, and the other end was the end, and then there was all that middle part, which was the middle.
Every game, and almost every life situation, has short cuts: ways you can get better without learning the entire literature of the game from beginning to end.
I don't pick tournaments to score or rivals or other teams to score against. I'm a striker: every game I play, I want to score.
The thing I expect from myself, when I play, is to score, in every game. If I don't, then it happens. But when you start a game, if you are a striker, you need to score.
Not every story in history has a beginning, a middle and an end, but the wreck of the Titanic does. It begins when they leave, in the middle it hits an iceberg, and in the final two hours, the ship sinks.
I don't necessarily believe that stories need closure. I just believe they need a beginning, middle, and end, but the end doesn't have to prevent us from continuing to grapple with the story at hand. It ideally should demand that we remain engaged with the story.
A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
Every concept should have a beginning, middle and end.
There are in truth three states of the converted: the beginning, the middle, and the perfection. In the beginning they experience the charms of sweetness; in the middle the contests of temptation; and in the end the fullness of perfection.
The game might be divided into three parts, the opening, the middle-game and the end-game. There is one thing you must strive for, to be equally efficient in the three parts.
When I did 'Immunity,' even though I did a film score at the beginning and also at the end, I was left uninterrupted during the middle bit. I got a good year of just writing and focusing. That, to me, is when I make the best stuff.
In a story, you have to have a theme and an angle, you have to have a beginning, middle and an end. You have to have a defining moment and kick it to death. You gotta be able to recognize that, by the way. It probably takes experience.
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