A Quote by Nushrat Bharucha
I take my time to understand the nuances of a character and prepare for a role, which is why I take time to do films. I work hard on myself to fit the character.
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I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
I take the work seriously. Which is why I always swing for the fences whenever I voice a character. But that said, I don't take myself all that seriously.
If I prepare myself for a character, for a role, I always try to understand her.
It is fun, revisiting a role. Usually, as an actor, you do a movie and you put that character up on a shelf, and he's done. That character is now immortalized on film, but you don't get to play him again. In these films [Twilight saga], we got to revisit these characters, and we didn't take that for granted.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
It's interesting what happens when you take on a role, I think. What happens to me - without sounding too spiritual or too hippy, I guess - what happens, most of the time, you do a lot of research, and you get into the character, and at a certain moment, it's like the character takes over.
Period dramas have their own challenges. One must work hard to ensure that you don't just embrace the character you are playing, you also have to understand the smaller nuances of the period to deliver an authentic experience.
You really have to work hard to create a three-dimensional character. You have to rehearse and explore and take your time. You can't just memorize your lines and do it on the fly.
The more you spend time with a character, the more you see different nuances of that character.
You have to be completely in the character, and that's so hard to do. That's why, when they call, 'Cut!,' you often feel yourself shift. Unless you're Daniel Day Lewis, who stays in character all the time, there's a switch that happens.
In feature films, I used to be the hero's friend, a regular character. In short films, I played the hero; I got roles where I could work on my character and performance. They made me aware of myself as an actor.
When I prepare for a role, I try to get inside the character's head and understand him.
There was a time when I feel that I need to take time to know more about the industry, the workings of it. I was doing my modeling, which I really wanted to do at the time. So that's why even my entry into films was later than people expected.
Well, I don't know anything about television. I'd never done it before. Initially, it was quite daunting to take on so much challenge and so much time with it. I think it is a great outlet for an actress because you really have 13 hours to bring a character to life, which is so much more than with film, and you have the luxury of time to tell a story and to really color a character.
Cameras love pretty girls and craggy, old character men more than they can take craggy, old character women. But that's what's always happened. Work out how you can fit into it, and make that work. There are never going to be millions of parts for older actresses because there never were.
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