A Quote by Nushrat Bharucha

I don't do a film with which I myself won't be happy. More than believing in the script, it should be fun shooting it. — © Nushrat Bharucha
I don't do a film with which I myself won't be happy. More than believing in the script, it should be fun shooting it.
Usually the script is much more funny than the film turns out to be, in my case. The script is almost like a comic book but when you start making it, for some reason the film gets very serious.
With indies, all they have is their script and it's very important to them. The characters are better drawn, the stories more precise and the experience greater than with studio films where sometimes they fill in the script as they're shooting.
I didn't even think about it when I read the script and then shooting their movie and someone was like "boy, press is going to be fun". And I didn't really know what they were talking about because to me it's just a film shows it as an extremely viable option which is obviously the most important thing for young individuals.
I wrote another wrestling film script. And we finished the shooting [with Lloyd Phillips]. But Henry Winkler came out with his own wrestling film, which did poorly. So the studios passed on ours, and it never got released.
If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.
I want to have a great director, and also a great producer and co-stars. And there should be a tight script. After all, regardless of how the film turns out, I must have fun doing the film!
When you try to be true to the script, changes occur. A script is there to show us a certain direction. But when you actually have the actors in and you start shooting the movie, you have the actor say a line and it doesn't sound right so you change it and make it different. It's the script that gives birth to these changes and the more you try to stay true to the script, the more that happens.
I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.
The first draft of 'Ex Machina' is extremely different than the finished film. That would be like 10% of the original draft stayed into the shooting script.
There were a couple of times, leading up to shooting [Ordinary World], where I was like, "Oh, my god, what did I get myself into? Hopefully, I don't ruin this guy's precious script." And then, after a couple of days of shooting, I started getting in the groove of it and it was really fun. I love being a rookie at stuff. It makes it feel vital. I love doing things I've never done before, and I love making stuff.
I'd like to have the script in a much better place from day one of shooting, rather than trying to continue to work on it while you shoot it. I think those are lessons you learn on any film.
Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
Sitcoms are more like stage drama than anything else on film - more than a one-hour and certainly more than a movie. You get a script on Monday. You rehearse all week. And on Friday, you're on.
I never went into business just to make money - but I found that if I have fun, the money will come. I often ask myself, is my work fun and does it make me happy? I believe that the answer to that is more important than fame or fortune. If it stops being fun, I ask why? If I can't fix it, I stop doing it.
The mystery of film is not in the script. It's in the shooting, in the interacting of humans and space and time.
Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.
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