A Quote by Nusrat Fateh Ali Khan

There are two languages that I love: Farsi and Panjabi. Because the depth of Sufi thought in these two languages cannot be found in any other language. — © Nusrat Fateh Ali Khan
There are two languages that I love: Farsi and Panjabi. Because the depth of Sufi thought in these two languages cannot be found in any other language.
The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
I'm a passionate Welshman. I have a culinary relationship with language: I taste what I say because I have two languages, and each informs the other.
To use two languages familiarly and without contaminating one by the other, is very difficult; and to use more than two is hardly to be hoped. The prizes which some have received for their multiplicity of languages may be sufficient to excite industry, but can hardly generate confidence.
Those who become hyperpolyglots are those who meet two criteria. One, they are exposed to language material. Two, they undertake learning languages as a mission as well as acquiring the personal identity as a language learner.I describe the "neural tribe theory" of hyperpolyglots, arguing that they possess an atypical neurology that is selected by some environments and not others; presumably, there have always been humans walking around with that set of neurological traits or factors, only some of whom actually use those things for languages.
As far as Irish writers being great, I think the fact that there have been two languages in Ireland for a very long time; there has obviously been a shared energy between those two languages.
Music is language itself. It should not have any barriers of caste, creed, language or anything. Music is one, only cultures are different. Music is the language of languages. It is the ultimate mother of languages.
Plurality of languages: [...] It is crucial 1. that there are many languages and that they differ not only in vocabulary, but also in grammar, and so in mode of thought and 2. that all languages are learnable.
I've had the privilege of learning foreign languages. Instead of merely speaking a watered-down form of my mother tongue, like most people, I'm also helpless in two or three other languages.
I'm German! Actually, I love my countr, ;I love the language. The German language is very special because it is so precise. There is a word for everything. There are so many wonderful words that other languages don't have. It is impressive to have such a rich language, and I love to work in that language.
Every human being should know two languages: the language of society and the language of signs. One serves to communicate with other people, the other serves to understand God's messages.
We have two hundred languages in Europe. Two hundred languages! Count them! I know you won't!
Language is decanted and shared. If only one person is left alive speaking a language - the case with some American Indian languages - the language is dead. Language takes two and their multiples.
I loved languages, and loved learning languages. It was fantastic. But I was alone there. I remember that time as a real Virginia Woolf time. More than any language it was her language that influenced me.
I am a stupendously fast reader and always have been. I can read in at least three languages fluently and two languages with a little bit more difficulty.
I have become interested in languages which I cannot make up, which I cannot create or even create in: I have become interested in languages which I can only come up upon (as I disappear), a pirate upon buried treasure. The dreamer, the dreaming, the dream. I call these languages, languages of the body.
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