A Quote by Nyle DiMarco
If I'd been born into a hearing family and went to a public school, I would have probably felt much more isolated, and being deaf would have become my identity.
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Throughout my childhood, I had served as an interpreter for my family. When I left home, I also left the Deaf community. I'd had enough of being a de facto intermediary and wanted to find my own identity. But, over time, I learned to embrace both cultures and find balance between them. I love my Deaf and CODA family and hope they would be proud to call me one of their own.
My mom would leave her job, and there would be throngs of people screaming and banging on our car. I come from a very private family, but I was born into a public family.
I would love to do a talk show. Naturally, I would love to do more films. I'd love to be able to see casting directors more willing to put in a character who happens to be deaf. I'm not talking about doing deaf storylines, but putting in deaf characters. I'd love to be able to do Broadway.
It was difficult when I was very young because I was so separated from my family. When I was at school or acting in a play, I felt very much part of something, and then it would always change, and I would be by myself.
I grew up hearing that if it hadn't been for Ataturk, my grandmother would have been 'a covered person' who would have been reliant on a man for her livelihood. Instead, she went to boarding school, wrote a thesis on Balzac, and became a teacher.
I don't know that hearing people have ever felt that experience of truly being left out. They have easy communication, while deaf people can't join in. It takes more time to communicate with us.
When I was a little girl, I did not listen to music much. I did not think that one day I would become a rapper. I was born in a very traditional and religious family. Being a female was destroying my dreams. Slowly, first through poetry and then music, I began to find ways to share my thoughts and feelings, talk to my family and to the world.
While taking sign language in high school, one of our assignments was to go out and participate in the deaf community, so I really got to know a lot of the group from that. I felt like they needed a little bit more of a voice because people treat them different just because they're hearing impaired.
I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days during their early adult life. Darkness would make them more appreciative of sight; silence would teach them the joys of sound.
Considering the fact that I have been in the spotlight more or less since I was 18, there is an aspect of normality to my public profile, which I have grown to live with. As much as I would like to disappear into the crowd, my work won't let me - difficult as it is for my family.
The economic and social problems would tend to become, like the military situation, more and more difficult as time went on and we became more and more isolated.
I hate war, and I hate having to struggle. I honestly do because I wish I had been born into a world where it was unnecessary. This context of struggle and being a warrior and being a struggler has been forced on me by oppression. Otherwise I would be a sculptor, or a gardener, carpenter - You know, I would be free to be so much more… I guess part of me or a part of who I am, a part of what I do is being a warrior - a reluctant warrior, a reluctant struggler. But I do it, because I’m committed to life.
I don't know what I would have done had I not become a footballer. I've always wanted to do that, even when my family would try to stop me playing football so that I went to school.
I would go into a place that was quiet and isolated and think about how my character would feel in the situation, considering who he was and what he had been through. I would think about that even up to 30 minutes. And when I felt the character was in my body and I had left, I could walk onto set or into rehearsal.
In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.
I thought I wanted to go to drama school or university, and that would have been a completely different life. But what got me was the sound, and hearing it. Hearing everything so loud, I loved that back in the studio. I loved that from the very beginning.
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